Jans Rautenbach

Abraham, a dedicated husband and father, struggles to provide for his young wife, Katie, and their four-year-old daughter. But, through his creative determination, he finds patronage in Jong Jans and Jong's wife, Almeri. Abraham and Katie settle into their new home, working for Jong and Almeri, but Katie's battles with mental illness and alcoholism rock the boat. Abraham staunchly supports his wife, but his own ambitions as an artist make him restless. Abraham is a dreamer who wishes to rise above his station in life and make his mark on the world, but the realities of his circumstances get in the way of happiness. In Afrikaans language with English subtitles.

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A senior farmer of the Little Karoo dies and determines in his will that a brown minister must observe his funeral service. However, it is 1961 and apartheid is the order of the day.

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Fanus is a nerdy sound technician who is never noticed by anyone, and especially not by the boss’s pretty but temperamental daughter, Linda. All this changes with the arrival of alter ego 'Blink Stefaans', who has plenty of advice for Fanus, from how to be more assertive to how to dress. 'Blink' translates to bright or shiny. Suddenly Fanus life changes into a roller-coaster ride of ups and downs. Blink Stefaans, in this gentle romantic comedy.

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A man deep in debt goes to a gamblinghouse to get the money he needs to pay it of but one of his friends come along and sees that the gambler man has cheated and so he killed him

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Gerhard Steenberg is a murderer on parole. He travels to Duiwelsvallei, a place where even the devil must tread lightly. He becomes entangled in the peculiar lives of the Duiwelsvallei's people. Initially, things go well, but then murder, jealousy, blood feuds, and betrayal rear their heads. Gerhard becomes ensnared in a love triangle. Not even his girlfriend's suicide can drive the unwanted stranger out of the valley. Only blood, his own, that of his ex-wife, and his best friend Bergsma's, will allow him to leave Duiwelsvallei.

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A new arrival to a mental institute is ostracised by the other patients, until they use him as a scapegoat when another patient dies.

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This multi-faceted drama, which depicts a group of intellectual Afrikaners struggling with pertinent moral, ethical and racial issues in apartheid South Africa, is widely acknowledged as one of Jans Rautenbach’s finest films.

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