Zdeněk Svěrák

Story of a small boy is forced to move out of Prague during World War 2 to a small village of Slavonice where he meets the rest of his family. He needs to make new friends and get used to a new life which is immensely different from what this city boy was used to.

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Three brothers leave their home to see the world. During their journey, young men as by miracle enter into famous fairy tales (Little Riding Hood, Sleeping Beauty, Twelve Months) and face traps, unexpected moments and even love in a story full of humor and songs.

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The film contains three Jan Werich's fairy tales, each directed by one artist. The first story sets out to the Sumava mountains in Southern Bohemia to find out whether Ogres ever lived there. The middle tale The Hat and the Little Jay Feather concerns a king who sends his three sons to bring back a hat he left at a tavern when he was young. The third and longest fairy tale Reason and Luck is about the two virtues of the title try to prove their importance by changing the life of a pig herder named Louis. Written by

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Jára Cimrman in the whirlwind of the past forty years, as discovered, recorded, and brought to life by the theater.

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The play itself tells the story of a harrowing journey aimed at restoring Princess Goldilocks’s feminine beauty—she had been enchanted by the evil giant Koloděj. In the first scene, Prince Jasoň arrives at the royal castle and discovers that his beloved bride—Princess Zlatovláska—has (thanks to Koloděj’s magic) a beard and a foot size of “45.” Jason decides to free Zlatovláska from the evil curse, and together with her, her royal father, and Bystrozrakým, he sets off to see Děd Vševěd for advice on how to deal with Koloděj. Watching everything from afar is Jasoň’s twin—the evil Prince Drsoň, who is preparing to intervene at the right moment and claim the princess for himself...

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Czech literature teacher Josef Tkaloun, who is past retirement age, realises one day that he no longer understands his pupils, and so he quits… dramatically. What he does not predict is that in doing this he will lose his sense of place in society.

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The original score was in a sorry state: the notes were carelessly marked, the lines were broken, and the paper was covered in smudges. I took the utmost care in reconstructing it: I erased the smudges, traced the lines with a ruler, blackened the bellies of the quarter notes, and added tails to the eighth and sixteenth notes. I believe that today's version of the work will stand up to even the most rigorous standards.

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The fourteenth Cimrman play takes us to the heart of a continent almost untouched by civilization. Czech travelers encounter a strange tribe of cannibals and almost end up on their menu. The members of this tribe are unusual in two ways: their appearance and their extraordinary docility. These characteristics enabled Cimrman to solve linguistic and staging problems with an elegance that other world playwrights can only envy. If, say, G. B. Shaw had tackled such a theme, the audience would have spent 5 to 7 hours in the auditorium. Cimrman managed to do it in just one hour (not counting the introductory scientific seminar). For the first time in the history of the Jára Cimrman Theater, a live animal appears on stage.

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Lt. Franta Slama is a top pilot in the Czech Air Force who is assigned to train a promising young flier, Karel Vojtisek, and they soon become friends. When Nazi Germany invades Czechoslovakia in 1939, they both reject the authority of their new leaders and escape to England where they join other Czech exiles in the RAF. While flying a mission over England, Karel crash lands and happens upon the farmhouse of Susan, a young woman whose husband is in the Navy. Karel soon falls head over heels for Susan but, while they enjoy a brief fling, in time Susan decides she prefers the company of the older and more worldly Franta. As Franta and Karel struggle to maintain their friendship despite their romantic rivalry.

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The impetus for writing the play was a real event - the investigation of the loss of the class register at a boys' school in Vienna's 4th district. The perpetrator was most likely a student named F. Kirchner. Cimrman was a police inspector in Vienna's 4th district at the time, and the school principal turned to him when all educational measures had failed. Six police officers followed the suspect for three days, but to no avail. Cimrman therefore decided to influence Kirchner in a different way: he wrote a play about the theft, which was staged by the police department's drama club as a compulsory school performance. The author expected that seeing the suffering of the teacher, principal, and inspector during their futile investigation would lead the culprit to regret his actions and confess. However, the stubborn boy, the son of a nun, was not moved.

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This traditional seminar will introduce you to the most basic facts about Jára Cimrman. The ensuing play will show how difficult it is for some people to come to terms with new knowledge from their past.

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Poverty was one of the many unfortunate aspects of Cimrman's life. His traveling theater company, Lipany, suffered from high actor turnover. If an actor's departure was agreed upon well in advance, the situation could be managed. However, if it happened with shouting and slamming doors, often just a few hours before the performance, the troupe and its director experienced some tense moments. Such experiences form the backdrop to the play. Lovers of the work of this unrecognized Czech artist are now able to access testimony from this area of the master's life, in which his destiny was most fulfilled—the theater.

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One day in life of simple dispatcher who meets remarkable people. They want to harvest plums.

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Famed outlaw Lotrando sends his son to a strict Catholic boarding school to learn manners, but the boy becomes too polite to lead the band. When they inadvertently arrive in a sultanate where the princess Zubeida lies gravely ill and are mistaken for physicians, father and son must overcome their inexperience and imposture to heal her and save the realm.

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Two short stories in which novice detective Sergeant Zahrádka is tasked with carrying out trivial orders, which he fails to do due to his innate clumsiness.

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Two passenger cars went to the team in Prague Cimrmanologists Liptáková in Jizera mountains to explore the rugged region Cimrman age. Already the journey itself was an adventure, but the result was worth it. The restaurant at the Orphans restored mural researchers Cimrman handwritten inscriptions in the old hoe handle up his anti-Habsburg discovered pamphlet "Its not hide the truth."

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Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."

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The result of a clash between two intellectual forces: the artist's irrepressible creative instinct and the equally irrepressible instinct of the small Czech self-sufficient farmer. While on the one hand we see an admirable effort to understand and portray the world and get to the essence of human behavior, on the other hand we encounter only a mundane effort to dry a few mushrooms for the winter. In the case of this play, Josef Padevět's small, bitter world unfortunately prevails.

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On the occasion of the opening of the famous Vienna "Riesenrad," a competition was held for the best operetta. A Czech, Jára Cimrman, also submitted his entry, a sweeping seven-hour work entitled "Proso." Due to what was perhaps his only negative trait, a slight stinginess, he did not send the score by registered mail, which allowed Franz Lehár, Johann Strauss, Oskar Nedbal, and other members of the jury to literally tear apart the brilliant operetta fresco. After many decades, a team of Czech Cimrmanologists has proven that the author of the world-famous melodies from Die Fledermaus, Polská krev, and many other operettas is the forgotten Pojizeřan Cimrman.

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Three passengers are traveling in the luxuriously appointed saloon car of an international express train: the famous Czech police inspector Trachta, the industrialist Meyer, who manufactures everything needed to keep warm (fur coats, rum, fireclay bricks), and the factory owner Bierhanzel, a manufacturer of hair-thickening ointment. At the Istanbul station, the trio is joined by the inspector’s protégé, police trainee Jindřich Hlaváček, who is finishing his thesis on train crime. The journey proceeds smoothly until factory owner Bierhanzel is struck by a toothache...

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After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

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Set in a small Ukrainian village during the outbreak of war with Germany in 1941 Private Chonkin, not overly endowed with intelligence, is left to guard a downed military aircraft. The authorities appear to have forgotten about him so this leaves him free to work his chams on the village postmistress, Njura, untill the local militia are tipped off.

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In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.

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The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.

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The difference in personalities and lifestyles is the core of Zdeněk Svěrák's hilarious comedy. The story of two elderly gentlemen begins in a hospital, where they are both hospitalized. Former tram driver Havlík discovers that his new acquaintance Chouň does not have an apartment and offers him that he can temporarily live with him. The latter happily accepts the offer and soon changes Havlík's proper and honorable life as a widower. The old conductor realizes that he can also live differently: cheerfully and carefree. The idyll is ruined when Chouň robs Havlík...

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The small group of actors have to face many problems while preparing a new performance.

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The main character of the story is a former biology teacher named Montelík, who ends up in court when he loses his temper and hits his former student, who is the son of a prominent family. The professor finds a kindred spirit during the trial in a young aspiring lawyer who, despite the reluctance of those around her, tries to save the honor and dignity of the old professor.

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The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

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Bohouš Burda, a forty-year-old idealist disillusioned with city life and his failing marriage, abandons it all to run a mobile dental clinic in the mountains. He meets Terezka, who shares his yearning for a simpler existence, but even in remote nature they must confront unforeseen challenges.

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A police inspector and inexperienced trainee search for a mysteriously disappeared manufacturer of ointments for hair growth.

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