Yann Gonzalez

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Musician Oliver Sim is the main guest of a talk-show that soon slides into a surreal journey of love, shame, and blood.

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Dead city. Foggy night. A saxophone is playing. Lust is lurking.

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A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

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A short introduction to the film Knife+Heart (2018).

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Mock trailer for a fictional porn film within Yann Gonzales' movie Knife+Heart.

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Three short films, out of the ordinary, brought together under a bewitching and enticing title. They are After School Knife Fight by the duo Poggi/Vinel, Les Îles by Gonzales, and Ultra Pulpe by Mandico. Three atmospheres, three sensitivities, going through three forms of expression (music, theatre and cinema) and which, put end-to-end, create an alternative pathway towards borrowed worlds of romance first, then obsession, and in the end, possession. Worlds of soft naivety, of nightmarish creatures and of pop fantasy, reminding us of the mysterious and velvety snatches of our dreams that stick to the spirit when one leaves them.

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In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

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A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

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Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.

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Bianca and her mother meet again in Porto after many years. Together, they will hit the road with their stripping show, running after lost time, impossible love and strange fantasies.

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A party at night. Some teenagers dance and fall in love as if it was the first and the last time.

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Macha, Nathan and Walter are awaited by a young man outside the high-school. He's here to lead them. Away from the city. To the sea. Into a night they might never return from.

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Kate screams, burns, kisses furiously. But the times are tepid, the music "cold," and Kate can no longer come. Until Julien, who died ten years ago, gives her pleasure again.

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A girl, a boy, a ghost. Some pop music and noisy rock. Meanwhile, youth keeps fading away.

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Night. Kisses. A consumed heart.

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Says Gonzalez: "I remember shooting at dusk in Antibes, my hometown, revisiting all the places I've been while I was a teenage night paperboy. Then I edited this footage with flashes of my corpus' disturbing images. But I see it today as a bad amateur nightmare haunted by the fear of sex and vaguely misogynistic... Pretty good musical choice though: the Coil track I used is soooo intense."

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Follows a 50-year-old primary school teacher living in a small village in the mountains. She’s a teacher by day, but by night she seduces sad men who she never sees again. Her life turns upside down when she falls desperately in love with Terrence, driving her to the outer reaches of a troubling, fantastic world…

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The story of the French fantasy cinema from Méliès to Raw.

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At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

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Passionate by Japanese pop culture, Fleur returns to her hometown to announce some big news to her family: she's moving to Tokyo. But there, no one has ever supported Fleur during her transition. Except for her cousin Noé who could become the ally she needs.

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November 1989: in Brussels, Victor is looking for Elina, his summer love who mysteriously vanished. He meets Damian, an enlightened English journalist, and Rosie, a punkish Dutch barmaid. Together, they dive into the night, driven by the New Beat fever.

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Actor and director Jacques Nolot opens up to the camera about his desires, doubts, anxieties… and of what fulfils him in life as much as it connects him with death. Between dreams and memory, everything seems to gradually crumble.

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I wake up gagged, hands and feet tied. I can see the clouds go by through the window. I'm in the back seat of a car. Who is this man driving? And where is he taking me?

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At Naarièges cemetery, Mino guards the gates, takes care of the dead, and also the mourners. Next to him: a ghost, a widow and a huge spider. They are busy, panicking, blossoming, lovesick.

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