Alessandra Vanzi

Giada and Carlo have been a couple for many years, both artists. He is a writer looking for a new story to tell, she is a dancer struggling as she directs her first experimental dance show. When Peter Drago comes into their lives, neither can imagine how much everything is about to change. Carlo is fascinated by him, finding in him a new creative inspiration, while Giada is increasingly restless, fearing that her past may come back to surface. But the truth always finds a way to emerge.

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Documentary about the life of Aldo Braibanti, an 'heretic' Italian intellectual, from early anti-fascist activism to his death, passing through the infamous 1968 mock trial which, under the flimsy accusation of “plagio”, actually aimed at his independence and homosexuality.

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Eli has four children, an unemployed husband and a job with an almost impossible commute. Vale is single and makes ends meet by working in clubs as a dancer. Tied by a profound emotional bond of true sisterhood, the two women's lives are two sides of the same coin, but their mutual solidarity isn’t always enough to lighten the load of their difficult circumstances.

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Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

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Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.

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An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in his mom's basement. But things didn't go as planned after his half sister joins him.

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A white and a blue collar worker fall in love during the 1980 strike at FIAT that marked the end for labor movement in Italy.

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In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

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A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.

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This film deals with the theme of the heritage left to the underground cinema by the historical avant-garde.

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Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

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Marta works for a poll company, listening all day to other people's dreams while leading a cold and solitary life. Having just cut off a long relationship, she tries an online sex chat under an alias, meeting a man who begins to advance more and more audacious requests, until they decide to discover their respective identities.

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Ms. Isabel Archer isn't afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father's will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.

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Italy, early 80's. A political terrorist is being transferred northward from Sicily for a conjugal visit; during the journey, a police captain tries to make him cooperate.

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Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

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November 2, 1975: Pier Paolo Pasolini is murdered in the outskirts of Rome. The suspect, a 17-year-old hustler, pleads to have acted in self-defense, citing Pasolini's notorious sexual habits as proof. However, many inconsistencies start to undermine his version, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also killed for another reason?

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It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.

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After his military service, Mario is hosted by a friend in New York and joins his circle of Italians residing abroad.

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Made for Italian national television, Ellis Donda’s Il Corpo Rubato (The Stolen Body) is an experimental documentary on psychoanalisis in 70s/80s Italy, its analytical practices and forms of suggestion.

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On a theatrical work by Aldo Braibanti, the special effects used in an attempt to construct a new visual grammar capable of describing "the new geography of boundless perceptions and imaginaries, the emergence of memories from the very distant phylogenetic past of our animal ancestors, a gift of psychotropic substances."

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This film deals with the theme of the heritage left to the underground cinema by the historical avant-garde.

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