Justine Triet

César winners revisit, sometimes for the very first time, the footage of that important moment in their careers: the night they received a César Award. It’s an opportunity to look back on and comment on this defining moment in their cinematic lives. Featuring Carole Bouquet, Sara Forestier, Emmanuelle Devos, André Dussollier, Justine Triet and Noémie Merlant.

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The documentary explores the Triet method by diving behind the scenes of the film Anatomy of a Fall, Palme d'Or at Cannes in 2023. Through the testimonies of Justine Triet, Arthur Harari, and the actors, it invites you into the mysteries of the making of the film, and of the director's cinema.

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Lila, Nico, Yoni, Justine and Guy are all around 25. We follow them through marking moments of their lives, slowly becoming of age.

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The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.

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An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

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An annual awards ceremony recognizing excellence in film and television, both domestic and foreign, bestowed by the Hollywood Foreign Press Association.

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A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

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Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.

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Victoria is a thirty-something divorced lawyer who's struggling to raise her two daughters. She is canny and cynical but on the verge of an emotional breakdown. At a friend's wedding she reconnects with Vincent, an old friend, and Sam, an old client. Her life is about to take a new turn.

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May 6, 2012. Cable news reporter Laetitia is covering the French presidential elections, while Vincent, her ex-husband, demands to see their two young daughters. It's a manic Sunday in Paris: two agitated girls, a frazzled babysitter, a needy new boyfriend, a grumpy lawyer and France cut in half!

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The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.

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Paulo Gustavo, 15 years, spends his days to the Social centre of the evangelistic Church. His mother, Gisele, has alcoholism problems. She has to go to the Centre where she meets Valeria, the social worker charged of submitted of a report with the authorities to validate or not the guard of the children by their mother. Valéria is also mother of two children. She is an evangelistic Pasteur and pushes the family to integrate her Church. Gustavo tells to everybody that he's in love with “Taina”, who nobody knows.

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Revisits the two rounds of the 2007 French presidential election (April 22 and May 6, 2007), where Conservative leader Nicolas Sarkozy won a clear victory over his Socialist opponent, Ségolène Royal. Faced with the activist, the journalist, the political figure and the gigantic media device set up for the occasion, the audience is taken on board without real or comprehensive explanations. Strangely, the chaos seems organized. Just like when we are considering the range of 'unplanned' events that get media exposure, so much so that we wonder if they really are being planned. Is all this period of unrest visibly set in motion by social activists, agitators, ordinary people, politicians, publicity agents?

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Back on the parisian riots of march 2006. By crossing the points of view between the individual, the crowd, the mass, this film tries to draw from the TV coverage some more nuanced, more troubled perception. "Milling around" projects us in the center of the action by keeping us strangly remote at the same time.

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In an idyllic setting, this psychological thriller explores the limits of a sound mind when grief and obsession take hold.

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Interconnected narratives collectively tell the life story of the title character, covering the period from the Vietnam War up to an unspecified point in the near future.

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