Charo del Río

In a quaint Spanish village, a festive raffle for a Christmas basket takes an unexpected turn when its lottery ticket wins “El Gordo” before the draw. Suddenly, the humble prize becomes a fortune, and Don Carmelo—a greedy local bigwig—will stop at nothing to claim it. With charm, wit, and a touch of satire, this nostalgic comedy unravels a web of small-town schemes, revealing how far people will go when luck strikes early

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Early Spanish western. Ramon Torrado’s westerns remain among the most obscure ones. Of his four westerns, all shot around 1964.

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Guzman, a rich U.S. landowner is forced to leave for a short time, leaving his pregnant wife alone in the ranch. That night, a group of bandits, believing that the house is empty, enters with the purpose of stealing. She surprises them and they kill her. When Guzman returns, he finds in the fingers of his dead wife the tie pin of the murderer. Then, with the help of a Portuguese and a Mexican friends,he begins his revenge.

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After witnessing the murder of her father, the little Mikoa flees the plantation where he works as a slave. Janson, master of the plantation, and his daughter Laura, found lost in the jungle and decide to present to the Father Braulio, a missionary who welcomes him like his son. The young native is raised and educated in the mission, becoming a good man in love with his childhood friend, however, still has much hatred for the person who killed his father, Charles, a cruel white overseer who now at the service of revolutionary blacks.

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