Tunde Kelani

A man and his childhood friend fall in love despite her father's wishes

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Melodrama about marriage.

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Life on a university campus with its own unconventional but dynamic culture ascribes to itself so many unusual privileges which provide unique opportunities for taking liberties mostly in a broad antisocial sense. In the university, several interests groups or clubs are commonplace. Against the Heavy Weights Club, another club Silver Lines Movement is born. SLM vows to oppose all antisocial, antidemocratic tendencies including economic exploitation on campus. The ensuing battle between the two clubs reveals the frenzied struggles for supremacy in all aspects of campus life. It also exposes the special interests of godfathers from inside and outside campus.

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Agogo Eewo is the story of Jogbo. A new king was poised to improve the economy of Jogbo. Advisers hinted to the king about a cultural pact binding on the chiefs, but the chiefs stop at nothing to derail the oath-taking process.

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Thunderbolt is woven around Ngozi, a young elegant Igbo lady and Yinka a young man of Yoruba origin who meet and fall in love during the National Youth Service. Their eventual marriage, against folk wisdom soon develops problem fueled by rumors of extra-marital affairs which destroy trust between a devoted Ngozi and a jealous Yinka. In the ensuing drama Ngozi is laced with “Magun,” the mysterious and fatal chastity control which will make her sexual victim die instantly after sexual intercourse.

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When a usurper, Lapita, seizes the throne of Jogbo the scene is set for a film about the power struggles and corruption of a mythical African state tied up to the rituals of kingship – principally the beating of the Saworoide (or brass bell) drum. A homespun political parable emerges drawing interest by converting the typically unstable African political stereotypes into a fable complete with songs and a Greek Chorus that reflect upon the plot.

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It is the story of Ajani, an undergraduate at the University of Ibadan who is in his final year. He is under pressure from his mother to find a partner, and unwittingly finds himself in a love dilemma - dating three women simultaneously; Asake, a secondary school teacher, is his long-term girlfriend. He meets Lola, a fresher who is tall, slim, and pretty. The situation gets complicated when he meets a childhood acquaintance, who eventually takes center stage in the 'drama of love'. Asake's father badgers her to sever her relationship with Ajani but she however falls pregnant and Lola finds out and Ajani has to choose a wife under duress from his mother.

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Part 2 Sequel to Ò Le Kù. It is the story of Ajani, an undergraduate at the University of Ibadan who is in his final year. He is under pressure from his mother to find a partner, and unwittingly finds himself in a love dilemma - dating three women simultaneously; Asake, a secondary school teacher, is his long-term girlfriend. He meets Lola, a fresher who is tall, slim, and pretty. The situation gets complicated when he meets a childhood acquaintance, who eventually takes center stage in the 'drama of love'. Asake's father badgers her to sever her relationship with Ajani but she however falls pregnant and Lola finds out and Ajani has to choose a wife under duress from his mother.

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Kòseégbé is a 1995 Yoruba drama film directed by Tunde Kelani based on a stage play of the same name by Akinwunmi Isola.

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After Asiyanbi’s public confession, the only surviving member of the land selling gang is banned from the community and stripped of his chieftaincy title. Surviving from a boat mishap, he is catapulted into another land and a series of adventure. Finding pity and love from Madam Akere, his restless soul is tormented by a guilty past and an uncertain future.

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A clique of land speculators enlists the help a traditional chief to sell ancestral land fraudulently to a business man who plans to build a petrol station. The community resists this affront which ended in a modern law court.

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The final part of the trilogy, Asiyanbi (Kareem Adepoju) having been presumed dead after going into exile suddenly returns. He launches a desperate bid to regain his position in the community throwing an otherwise peaceful town into chaos. However and inevitably, he is confronted with his suspended guilt. He meets his nemesis and pays the price for greed and avarice. He has to complete the circle of chain of death which has already claimed JP and Sanya in the triangular bond of fraudulently selling ancestral land, the penalty of which is death.

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Thunderbolt is woven around Ngozi, a young elegant Igbo lady and Yinka a young man of Yoruba origin who meet and fall in love during the National Youth Service. Their eventual marriage, against folk wisdom soon develops problem fueled by rumors of extra-marital affairs which destroy trust between a devoted Ngozi and a jealous Yinka. In the ensuing drama Ngozi is laced with “Magun,” the mysterious and fatal chastity control which will make her sexual victim die instantly after sexual intercourse.

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When a usurper, Lapita, seizes the throne of Jogbo the scene is set for a film about the power struggles and corruption of a mythical African state tied up to the rituals of kingship – principally the beating of the Saworoide (or brass bell) drum. A homespun political parable emerges drawing interest by converting the typically unstable African political stereotypes into a fable complete with songs and a Greek Chorus that reflect upon the plot.

Open details →

A clique of land speculators enlists the help a traditional chief to sell ancestral land fraudulently to a business man who plans to build a petrol station. The community resists this affront which ended in a modern law court.

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A mother’s attempt to save her twins ends in their separation, setting off years of loss until fate brings them back together.

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