René Sampaio

In a life full of surprises, Bia and Victor's friendship is a safe place.

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An American writer has to learn the quirks of Rio de Janeiro’s people after moving to the Brazilian city.

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On an unusual day, a series of coincidences lead Eduardo to meet Monica at a party. A curiosity is aroused between the two and, despite not being alike, they fall madly in love. In 1980s Brasília, their love needs to mature and learn to overcome differences.

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Following in his deceased brother's footsteps, power-hungry drug lord Evandro embarks on a ruthless rise to power in Brazil's crime-ridden favelas. Evandro's ascension puts him on a collision course with Victor, a reckless detective with nothing to lose.

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Rio de Janeiro, during the 90's. Evandro dreams about becoming a great businessman, but ends up entering the world of crime and making an empire out of his criminal organization. His business skills and leadership abilities draw the attention of Morello, a federal police officer with a self-destructive behavior who sees in Evandro a worthy enemy. Two strategists that share the love for danger. The hunt down begins.

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Eduardo Borges is a young man above all suspicion: handsome, smart, and sensitive. However, his perfect man appearance is simply a mask that covers up his fearsome personality: a dangerous psychopath behind a number of crimes that have caught the police’s attention. A cold, conniving, and callous criminal; a serial killer who kills purely out of pleasure.

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When João goes to Brazil in search of a better life, he meets punk music enthusiast Maria and falls in love with her. But his involvement in the local drug trade makes him the target of a vicious drug lord.

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A man gets in a cab to meet a client. A bizarre car crash happens, and, throughout the story, the different characters seem to have some sort of connection with that fact.

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In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

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In a small village, a lonely fisherman yearning for a son is drawn to an ethereal light that links him to others and their long-buried secrets.

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In a happy family perfectly protected in a gated community, a mother is harshly accused of hurting her twin daughters and newborn baby. However, the truth behind the high walls may reveal unexpected cruelty.

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On an unusual day, a series of coincidences lead Eduardo to meet Monica at a party. A curiosity is aroused between the two and, despite not being alike, they fall madly in love. In 1980s Brasília, their love needs to mature and learn to overcome differences.

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In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.

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A man gets in a cab to meet a client. A bizarre car crash happens, and, throughout the story, the different characters seem to have some sort of connection with that fact.

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