Koji Hashimoto

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

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After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

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In the 22nd century, scientists from an energy-depleted Earth research new fuel sources in the far corners of the solar system, where they discover an ancient alien race from Jupiter as well as the emergence of an apocalyptically dangerous black hole. Koji Hashimoto's 1983 sci-fi adventure was conceived as a Japanese competitor to the upcoming sequel to Stanley Kubrick's classic 2001, titled 2010, and often mirrors the sequel's plot.

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A collection of deleted scenes and bloopers from the library of Toho Studios films, including several films from the famous Godzilla franchise.

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Behind the scenes documentary for Toho's "The Return of Godzilla" from 1984.

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A band of samurai warriors places a curse on a family fortune thus frustrating the heir 4 centuries later.

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The Girls' Division of Okinawa Normal School and the First Okinawa Prefectural High School for Girls were also known as "Himeyuri no Gakuen". In July 1944, the students, who were supposed to spend their summer vacations at home, were called back to school to prepare for the coming war and to fulfill their duties as subjects of the Imperial State. The fate of the girls and teachers awaited them as the American army attacked.

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Meet Chika. She thinks she's been jinxed: she's going to be dumped on Christmas Eve. Enter Tomako, who likes reading and making pudding. Although they're total opposites, by a twist of fate, they become best friends. However, it turns out they both want to spend Christmas Eve with the same guy. Will they choose friendship? Or love?

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