Giorgio Algranti

Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.

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Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

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Two mental patients with opposite personalities ditch their Tuscan hospital and embark on an unpredictable exploration of the real world.

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The film tells the story of the Michelucci family, from the nineteen-seventies to the present day: the central character is the stunningly beautiful Anna, the lively, frivolous and sometimes embarrassing mother of Bruno and Valeria. Everything begins in the Summer of 1971, at the annual Summer beauty pageant held at Livorno’s most popular bathing establishment. Anna is unexpectedly crowned “Most Beautiful Mother”, unwittingly stirring the violent jealousy of her husband. From then on, chaos strikes the family and for Anna, Bruno and his sister Valeria, it is the start of an adventure that will only end thirty years later.

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25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees while quickly rising through the ranks of the company. Around her revolve people like delusional supervisor Daniela, her womanizing boss Claudio, fragile coworker Lucio "2", and well-meaning but inconsistent union rep Giorgio.

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Elba island, 1814. Martino is a young teacher, idealist and strongly anti Napoleon, in love with the beautiful and noble Baroness Emily. The young man finds himself serving as librarian to the Great Emperor in exile, whom he deeply hates, yet soon begins recording Napoleon's memoirs, getting to know and learning to value the man behind the myth. Among seductions and affairs, expectations and fears, he will craft a precise portrait that nevertheless will not manage to hide a final, inevitable, disappointment.

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In a shabby residence on the coast between Livorno and Pisa, Mario, known as "Il Cormorano", a grumpy and disillusioned young man, works as a plumber to scrape together the sum necessary to realize his dream. He wants to join his uncle Piero in America to become an underground musician. His story is intertwined with that of Nevio, the cynical manager of the residence, of Gabriella, his naive and dreamy lover and of the maid Gaia who behind has a past as a drug addict, with whom Mario has a relationship of hate love. But reality is not as rosy as dreams:

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A bankrupt restaurateur on the brink of suicide is suddenly treated with deference and kindness by a bizarre group of strangers — who welcome him in their home, no less! Truth is they have mistaken him for the tax man they're waiting for, desperate to save their floundering ostrich-breeding business.

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From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

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A recently laid off steel mill worker in a little seaside town starts losing his wife to a local TV anchor.

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Taken from the four canonical Gospels and the seven apocryphal Gospels, the film starts from a basic idea: the betrayal by Judas was an act essential to the mission of Christ and the salvation of humanity.

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