Markus Boestfleisch

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.

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Freelance journalist Jan Schulte hopes for a job at the online portal of Berlin newspaper “Die Republik” when he discovers a potential scandal. Federal minister of health Elisabeth Stade apparently helped her brother’s search for a heart transplant by moving him up the waiting list illegally. But then Schulte’s colleague Britta claims the compromising material is a fake. Editor-in-chief Weishaupt and publisher Winter refuse to run the article. As Jan keeps on digging into the scandal, investigating state secretary Katharina Pflüger and political advisor Frank Gruber, his evidence is suddenly stolen from the newspaper office, and soon a competing tabloid breaks the story...

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An unemployed Latvian gets a job as an agent finding a house in France.

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Preoccupied with her virginity, which distinguishes her from her peers, 17-year-old Saskia secretly dreams of dating Christophe, the star of the school and a musician to boot. As she is new to love, her fairy godmother takes the form of Hannes, a new gay neighbor, and sets about educating her. But Hannes also falls under Christophe's spell.

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La dolce vita! Except life is anything but sweet for Jan (Kai Wiesinger), whose attempts to modernize an old luxury hotel in Italy are thwarted by the local competition’s mafia-like methods. Fortunately, help is at hand in the shapely form of Maria (Liane Forestieri), a German-Italian who originally came to fetch her young son. Together, they get the job done and, this being a romantic comedy, fall in love just as marketing director Susanne, who also happens to be Jans’ girlfriend, arrives to inspect the work. Her suspicions are soon aroused.

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A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.

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