Erlingur Gíslason

At a local party in the suburbs of Reykjavik, Hanna (19) and Jonas (20) escape into the laundry room to share an intimate moment, but when boundaries are crossed the emotional aftermath of guilt quickly follows.

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Crime writer Solveig Karlsdottir is pretty successful - although that's not particularly easy in Iceland. After all, with only two murders a year in the entire country, there aren't many sources of inspiration, but she makes up for this with a lot of imagination and her special feeling for things that aren't quite right. And this feeling kicks in strongly when she travels from Reykjavik to her old home village to look after her mother Margret, who is suffering from dementia. When an old friend from her youth is found dead at the harbor, she doesn't believe the official conclusion that it was an accident.

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A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with terrible consequences. The fortunes of the people in the country through the horses' perception.

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A young man has to go to the hospital for an operation. Upon his arrival he watches paramedics roll out a deceased person from the hospital room he is about to be checked in to. Lying in bed with nothing to do his mind starts to wander. He strikes up a conversation about life with an old man who paints a rather dark picture of what can happen during one’s stay in a hospital. The old man shares his ironic philosophy on life, causing him great anxiety. Will he make it out alive?

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Stella and Salomon run a business together, framkoma.is. Salomon is hired by Anton Skúlason, pilot, to beautify and transform a village, that he owns. Stella stays in the town and starts teaching politicians how to act for the coming elections. By accident Stella gets involved with the Centrum party, the main rival of the Central party, and before she knows it she's head over heals in politics.

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Five friends gather for a celebration that spins wildly out of control. Something goes terribly wrong. Next morning, national sports icon, swimmer Gulli Björns wakes up beside the naked body of a woman. No one knows who she is. No one knows where she comes from. Not his girlfriend. Nor his best buddy. No one remembers what happened. Now, as the questions fly fast and furious, Björns must wander through a mirrored maze of half-truth and full-blown lies to discover the shocking truth in a swirl of deception, manipulation and murder.

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An expedition into the microcosmic world of the Icelandic woodmouse, as experienced through the eyes and ears of two mice. This charming tale takes us through the various seasons as the mice overcome numerous obstacles, both in the wild and down beneath the feet of human beings.

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A modern businessman surrounded by all the trappings of success, picks up a beautiful woman who is hitchhiking along a lonely stretch of road in the south. Quiet, mysterious, the woman is an artist on the way to Meðalland to sketch. Always ready to take advantage of an opportunity, the young man adjusts his itinerary to help the beautiful artist, and with luck, he thinks, help himself add another notch to his sexual belt. But all is not what it seems in this world. The question arises as to whether all the expensive aids of modern affluent society can help him avoid what appear to be forces that transcend time - or is it all imagination, or hallucination, or both?

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Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

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Tommi and his half brother Kiddi travel through Iceland with a money transport. A reunion develops into a nightmare after picking up the hitch-hiker Lísa.

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The film is about a little boy, living in the centre of Reykjavík during the first years of Second World War. While poverty is still a fact of life, the business of war slowly begins to affect people's lives. Gradually, the terrors of war filter through into the young boy's mind.

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Various events of importance to the nation and to individual persons during the cold war and from about 1960 emerge as fragments of the memory of a little boy learning about life, about divorce, military occupation, the Beatles, little girls and death.

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The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son. Discovered by the dubious Feilan, manager of the nightclub “Silver Moon,” she’s cast as his emblem of purity for the club’s jaded clientele, only to find her talent erased and her performances reduced to humiliation. In the same production, Gunnlaugsson also modernizes Lilja’s 1933 short story “Fótatak manna,” relocating its 1920s setting to the present: medical students exhume the body of a poor, friendless man in the name of science, callously stuffing his coffin with rocks.

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The film is about a little boy, living in the centre of Reykjavík during the first years of Second World War. While poverty is still a fact of life, the business of war slowly begins to affect people's lives. Gradually, the terrors of war filter through into the young boy's mind.

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