Evelyn Künneke

After Norman fails to convince his father, a wealthy industrialist, with his brilliant business idea in the form of a chain of doughnut shops, the hopeful young entrepreneur is given an old tenement house to help him get started. He infiltrates the building incognito and finds a job as the unpopular houseboy. Norman realizes that all is not well with the quirky residents when he finds a dead Santa Claus from last year in the fireplace.

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Widow Käthe Mühlmann is a little eccentric. Every day she confides her worries to the photo of her husband Hubert, who has been dead for ten years but is still closer to her than her two friends Arabella and Brigitte. Käthe does indeed have reason to worry: her much-loved granddaughter Christine has lost her heart to the dubious Stefan Seyler, who is cheating on her through and through. What's more, Seyler has turned Christine's traditional café into a shady nightclub.

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The actor Holger Miesbach can no longer pursue this or any other profession, for psychological reasons and despite ongoing psychiatric treatment. While his mother offers telephone sex, where she pretends to be a minor and always forgets to get paid, he devotes himself to painting, but above all to his childhood passion for collecting autographs. When the actress Gloria Mundi, who had celebrated success as a teenager with revealing scenes, but who had killed her mother and her lover in Hollywood in 1961, returns to Berlin, Holger's penchant for the washed-up star becomes obsessive.

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In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.

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Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

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A "children's birthday party" for adults. Each show featured a celebrity guest who had to take part in crazy, silly and often deliberately "moronic" games. Both presenters had to compete against the respective guest in various games.

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A collage of documentary material, film excerpts and artist interviews shows the role that entertainment played during the Nazi era.

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Two shady businessmen set out to shake up the West Berlin funeral industry - with unconventional ideas and questionable methods. To this end, they take over the business of a long-established mortician who wants to retire. One of them also hooks up with the colorless daughter of the chairman of the local mortician's association in order to get money and his father's customer list from her. Meanwhile, his partner has to deal with his wife and their equally nagging children. And then the establishment strikes back. At the same time, the unmarried newcomer to the industry discovers that he does have real feelings for the association chairman's daughter.

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When a plague breaks out in Hamburg, several people break out of quarantine and make their way out of the city... only to find that the plague is more widespread.

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In this hilarious opera parody, Loriot delivers a comedic take on the pretentiousness of the operatic world. The plot revolves around a fictional opera production that spirals into absurdity as egos clash, misunderstandings abound, and everything goes hilariously wrong. Through a series of farcical and exaggerated situations, Loriot brilliantly mocks the pomp and circumstance of opera while showcasing his signature dry humor and love for absurdity. Noch 'ne Oper is a sharp and witty satire of high culture’s often ridiculous nature.

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After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.

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When Peter Huber the proprietor of a Bavarian corner newsstand, wins a free trip to New York City in a magazine contest, he is overjoyed. Filled with romantic ideas from the movies, his actual encounter with the gritty realities of the Big Apple are sobering. Nonetheless, he is in for the adventure of his life. First, he meets Karola Faber, the German wife of a U.S. G.I. who has found life in the States not all it's cracked up to be: she has left her husband and makes her living through prostitution. Peter and Karola visit the local German emigré community's Oktoberfest, and win the festival's King and Queen crown. Their prize is a cow, which accompanies them on their further journeys in New York City.

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The case of stagecoach robber Carl Grandison, who lived in Heidelberg as a respected merchant and committed suicide in prison in 1814, as material for an expensive (DM 5.1 million), over-aestheticized flashback film: the decorations, props and costumes are right, otherwise everything seems fake.

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A fictional, non-chronological account of the life of the scientist, adventurer and industrialist Lukas Berlinger. The key dates and central events include Berlinger's birth in 1914, his friendship with Johannes Roeder, who was the same age, his marriage to Marlit in the early 1930s and Roeder's joining the NSDAP in 1936. As a chemist and "scientist important to the war effort", Berlinger was not required to go to the front during the Second World War, but it was slowly discovered that he was helping persecuted people to escape to Switzerland. Pressure from the Gestapo cost Marlit her life, and Berlinger fled to South America. It was not until 1968 that he returned to the western part of Germany. He meets Roeder again, who is now a senator and has become rich as a "building tycoon", and meets Maria, a teacher almost 30 years his junior, who looks strikingly similar to Marlit.

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Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. He enters an abusive relationship with wealthy industrialist Eugen in an attempt to climb the social ladder. His desperation for love and affection soon spirals into tragedy.

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A pseudo variety show about the Aufbau-Era, the time of the German 'economic miracle'. Brigitte Mira recounts her four husbands through song and joke, on a series of artificial sets.

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Self-reflection of a star person played by a woman.

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