Marie Osborne

Police sergeants Johnson and McManus take on Los Angeles confidence tricksters. Con man Tony Wells, lining up rich widow Jessica Royce as his latest mark, sets up a false paranormal society with other charlatans to convince the credulous Jessica that her late son is speaking to her through their sham seances. When the plan leads to murder, Johnson and McManus must bring the group down before they kill again.

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Molly, her brother, Slats, and his pal, Oliver, are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

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During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

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Aspiring singer Ann Carter visits her stepbrother in New York, hoping to make it on Broadway.

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A cop, who plays by his own rules, brings down a notorious gangster.

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Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh fashion house run by her assistant, Stephanie. There they meet the singer Scharwenka (alias Huck's old friend Lizzie), who gets the band a job. Meanwhile, Madame Roberta passes away and leaves the business to John and he goes into partnership with Stephanie.

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A sailor and his would-be bride search their train for a clergyman to marry them.

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Marie attempts to select a new husband for her mother and a father for herself.

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Sally Lou, the small daughter of village blacksmith Jim Davis, uses her sawdust doll to take the place of a real mother.

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Christine, known as Tiny, whose mother eloped with a circus clown and became a parachutist, spends most of her time with her lame dog and an elephant.

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Dolly lives with her aunt, who is a seamstress. The child is sent home from school because she has been naughty, and finds her aunt in the act of making a Red Cross costume for a huge mechanical doll. The doll can walk and talk and excites Dolly's interest intensely.

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Instilled with the spirit of patriotism after her teacher reads to her the story of Joan of Arc, Marie Yarbell goes home, persuades her father to enlist and then organizes a "military company" comprised of her playmates.

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Marie and her friend Billy are playing pirates and Marie is the pirate and Billy is her assistant. Marie's widowed mother becomes engaged to Mr. Cross , whom Marie doesn't like -- she much prefers Jack Laird, a secret service man. Laird's investigation of opium smugglers leads him to suspect that Cross is involved, but Marie's mother refuses to let him be searched.

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Shouts of joy and the clapping of many tiny hands welcomed the arrival of the big birthday cake. For this was Little Mary's birthday. To celebrate all Mary's little friends had been invited and the big event which preceded the supper and the cutting of the cake was a performance of Cinderella and the affair of the glass slipper. Little Mary forgot to leave at the hour of 12, and when she was called away by the fairy she dropped her glass slipper on the stair. Of course, to every one's amazement, when the Prince went looking for the owner of the slipper, the only one whom it fitted was Little Mary.

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In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.

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Just after Bob's fiancée breaks off their engagement, he meets young Mary, whose mother has just died, and the two of them comfort each other.

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When a trio of criminals kidnap a rich man's daughter and nurse, a detective goes undercover into the Italian-immigrant ghetto where they're being held.

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James Sterling, wealthy bachelor, is told by his doctor that he must go up into the mountains if he would recover the health lost in his midnight parties. He goes, leaving behind Clarice Driscoll, a society girl whom he loves. In the mountains he meets Lucy Bingham. Away from the city influences, he falls in love with this maid of the wilds

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