Bruce M. Smith

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

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The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.

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The Psych Crimes Unit, a unique team of police detectives and mental health professionals, is tasked with solving bizarre and chilling crimes that cross the boundary between law enforcement and psychological disturbance.

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A riveting political thriller starring Shawn Doyle (John A. Macdonald), Peter Outerbridge (George Brown) and David LaHaye (George-Etienne Cartier) and set during the struggles that take Canada from colony to country.

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In 1930s Saskatchewan Tommy Douglas, a small town pastor, sees the poverty and injustice around him which seem beyond his power to address from the pulpit. Douglas enters politics with the socialist Canadian Commonwealth Federation where his idealism runs into powerful opposition from the wealthy and the powerful. Despite the long odds, Douglas' new calling would soon make him a leader who transformed Canada.

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