Frimann Falck Clausen

Shipowner Alex Larang and his family become the center of intrigue and murder. Helmer and Sigurdson embark on an investigation in which their former colleague, Trond Steen, comes under scrutiny. He has been suspended from the police force after killing a man in a scuffle, and now he is forced to flee after being spotted at the scene of two murders. If he is innocent, will he be able to clear his name by finding the real killer, if possible?

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Bør is startled when he discovers that his father-in-law is becoming more Norwegian than he is. The father-in-law is about to raise the village's highest flagpole. Bør can't sit still and watch, and that's why the fight and the intricacies are underway.

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The young factory girl Milja comes in disaster on board fishing with Julius, who fails her for the beautiful and unreliable Petrina. The people from the bourgeoisie despise factory girls and their bastard, they are vile and promiscuous. In his despair will Milja give away the kid for it to get a better life than she can provide it. But Onsea-Lovisa ready to change her opinion.

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Following a series of bomb attacks in London, a group of terrorists seize Britain's ambassador to Scandinavia. With the ambassador now a hostage in his residence, another group hijacks an airliner at the capital's airport, announcing that the passengers will not be freed until their demands are met. Colonel Nils Tahlvik, Scandinavia's resourceful and ruthless head of security, seeks to take an uncompromising stance against the terrorists yet his attempts meet resistance from unknown forces at every turn...

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Robert Lund (Roy Bjornstad) is a weary man, and his days as a starring saxophone player seem to be near their end. The Nazis have occupied Norway for some time, and he has been passing the time by telling his son Bobby (Erik Andersson) some tales of his previous exploits.

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Bør Børson Jr. will become a great man quickly, but will be ridiculed when lower class in Olderdalen crashes with modern Norway.

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A young boy lives alone in a small room in a block of flats, with a phone ringing constantly, without anyone at the other end. He runs away, soon to follow everyone telling him to, until he gets involved in a search for a missing girl.

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This black-and-white Norwegian film is a great rarity: a film with comic elements set in a mental ward which does not overstep the bounds of common sense or good taste.

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Ballad of the Masterthief Ole Hoiland (Norwegian: Balladen om mestertyven Ole Høiland) is a 1970 Norwegian drama film directed by Knut Andersen, and starring a broad cast of notable Norwegian actors, headed by Per Jansen as Ole Høiland. Ole Høiland was an actual Norwegian Robin Hood-figure in the early 19th century. He steals from the rich and gives to the poor, enjoying numerous affairs with attractive women along the way. The story culminates in the ambitious burglary of Norges Bank, Norway's central bank.

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Fly-on-the-wall treatment of an ordinary day in the life of a prisoner in Stalin's Gulag. Closely adapted from Solzhenitsyn's classic novel based on his own experiences. Shot entirely on location in northern Norway

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A wave of violent demonstrations paralyzes a small society. At the same time a cynical group works in the shadows and uses the chaos as a smokescreen for a coup d’état.

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For many, the happy twenties were not very happy, with high unemployment, poverty and a bitter disillusioned youth. But at the same time there was prohibition in Norway, with large-scale smuggling and easy-earned money. Ernst, an unemployed architect, stumbles onto the smuggler path, and replaces a gray, boring life with a lush, rowdy and colorful world. Klara, the girl he loves, walks away from him, and Jenny becomes his new girlfriend. Together with Hugo and Elsa, these four make a number of smuggling trips by car - with big profits - but it's not enough. So Ernst invests in boats, and that's when the really messy smuggling starts. He operates in the entire Oslo Fjord, all the way down to Rotterdam, pursued by police and customs, with his infamous torpedo boats. We follow Ernst all the way to the so-called Bygdøyslaget, where smugglers and police brutaly clash together.

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The third installment in Arne Skouen's trilogy about mentally challenged children, in solidarity of the involved children and families.

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Film that encourages Oslo citizens to participate actively in Kulturuken 1966 (16-23 September). Glimpse of theater, opera, cinema, concerts, art collections. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

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Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

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A hand is pulling the emergency breaks on a train, and a young military recruit has his live all changed. No one can answer a girl's question in court. What colour are dreams? A gathering of destinies. Can anyone answer why things happen?

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Schoolmates 20 years later.

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Erik Dahl escapes from prison where he is serving a sentence for smuggling. He seeks out his family, but the police have already been there, and he will have to flee. Erik alters their appearance and start a new life as fishmonger in a small town, but he plans to leave the country...

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