Antón Reixa

The documentary tells how, during the 1980s, a cultural phenomenon emerged and developed in Galicia that would eventually become known as the Movida Gallega.

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Following the random path of a lighter that is being lost by their owners occasionally in different parts of the world, this story is built with the common stories of relationships, the "amour fou" and the surprising appearance of main characters of unusual stories and fitted with a sincerity not always timely.

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A story of love and obsession during the Spanish Civil War

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MAREA BLANCA is a Corona Save The Beach documentary directed by Isabel Coixet. It is a tribute to the thousands of anonymous heroes who left everything to save the Galician coast. An example for all of us who fight for the recovery and conservation of our beaches.

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The documentary tells how, during the 1980s, a cultural phenomenon emerged and developed in Galicia that would eventually become known as the Movida Gallega.

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A film director with a crisis of creativity, a journalist of Telemadrid, a butcher and a housewife with both legs in plaster, a North African taxi driver, an unemployed publicity manager, a young judge, a child of good family who works as a laborer. Amazingly, all these characters have something in common: they are spending the summer in Madrid. The relentless heat in midsummer will leave its mark on their lives

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Set in Galicia in northwest Spain - an area famed for its beauty and smuggling - this film shows a once-thriving fishing and shipbuilding culture fallen on hard times. Feisty, street smart Lena, 18, lives in semi-penury with her hard-drinking slob of a father, Gorrión, and hopes to escape by getting a grant to study in Portugal. Gorrion is mixed up with local drug-smuggling mafiosi, that includes Lena's godfather, Gitano, their Portugese Cachero, and the strong, silent Milio. One day, Lena returns from her job to find Gorrion badly beaten up: The gang had accused him of stealing. Lena visits the gangsters and offers to help pay off her father's debt by working for them. After Gorrion forgets to deliver Lena's grant papers, a fragile emotional bond develops between Lena and Milio. When they set off to Portugal to do a job, events start to ramble.

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The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.

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At 35, Andrés leads a quiet life; he lives in Mexico City and has a girlfriend he plans to marry. His only relative is his mother Clara, who came to Mexico fleeing from the Spanish dictatorship years ago. One day, by chance, Andrés finds out he has a grandfather who lives in a village in Galicia. This news causes such an emotional response in him that he decides to leave everything and travel to Spain to reconstruct his own past and meet Justino, his grandfather.

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Teodora discovers that her husband was having a virtual relationship and enters a crisis, which results in the loss of her job as a presenter of a culinary program. Disillusioned, she decides to hit the road and sets out on a journey of self-discovery, walking the Way of Santiago de Compostela, in Spain.

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The documentary tells how, during the 1980s, a cultural phenomenon emerged and developed in Galicia that would eventually become known as the Movida Gallega.

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Due to many reasons, ranging from insecurity to trauma, a group of people have gained a lot of weight in recent times.

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After years of setbacks, hopes, anxiety and realities, the fear that they don’t deserve to be happy has taken shape. Together, Rosario and Milagros take two different routes in life: one towards the cruelest nothingness with a joyful and vital attitude and the other towards a hopeful future from a redeemed life and in the middle there is forgiveness.

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