Kan'emon Nakamura

A war widow determined to clear the name of her disgraced husband, who was court-martialed for desertion and executed. Official records have been destroyed, and the ministry that distributes benefits continues to deny her a pension. Twenty-six years after the war, she seeks out four survivors of her husband's garrison. Each tells a dramatically different story about her husband's conduct, but she is determined to learn the truth.

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In feudal Japan, when any commerce with the rest of the world is strictly prohibited, an idealist appears at an isolated inn, headquarters of smugglers with stolen money intended to ransom his loved one forced to work in a brothel.

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A group of teenagers grow up in Okinawa amid the protests and resistance against the presence of the American base in the island.

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Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.

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Sentaro is been severely beaten for his defiance of the government and the high taxes during a time of famine. He is befriended by Kada Gentaro, a leader in the Mito Tengu group, which plans to overthrow the shogunate.

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Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?

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In 1943, critical developments in the Pacific War have placed Japan at a disadvantage, although the fiery breaths of war hadn't yet reached Okinawa Normal School for women. Nothing seemed the least bit out of the ordinary, as Kazuko and her friends enjoyed a day of sports. A year later the war takes a devastating turn, as US forces plan an amphibious attack known as "Operation Iceberg" on the Ryukyu island.

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Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

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This suspense drama set in the mid 1700's depicts the plan of the Tokugawa rulers to send a number of homeless men to a remote island Sado to perform forced labor. Living conditions on the island are terrible and the men soon become rebellious. Based on a short story by Seichō Matsumoto.

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Film about Japanese ghost story Banchō Sarayashiki.

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A period film about a peasant revolt in the region near Mount Fuji, occasioned by high officials' depriving the farmers of their water rights.

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About the struggles of day labourers to achieve dignity and a standard of living above the starvation level. Utilising the Zenshinza theatrical troupe.

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Shinobu and her brother Genichiro plead with famous swordsman Musashi Miyamoto to teach them to avenge their father's death. The perpetrators of their father's demise see the siblings practicing, and so enlist the help of another revered swordsman, Kojiro Sasaki, giving the latter an excuse to battle Miyamoto.

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In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.

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The year is 1936. Ōhinata-mura was a very poor village between deep valleys. Soncho, the village head is trying to collect the village taxes from the villagers but he knows full well that no one can afford to pay the village tax which has been unpaid for years...

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A jidaigeki film on Banzuiin Chōbei produced in 1940 and directed by Yasuki Chiba.

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A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.

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“19 vassals of Lord Hosokawa ask permission to commit harakiri with him, as a demonstration of their loyalty. Only Yaichiemon Abe is refused permission, forced instead into the vassalage of his lord’s successor. Humiliated and derided, Yaichiemon eventually commits harakiri without permission. His eldest son is then punished for Yaichiemon’s suicide, and when he resists, is sentenced to death. The entire Abe clan rebels upon the son’s execution, and the clan is annihilated.” --Alan Poul, Japan Society

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In a slum in Edo Japan, a ronin hopes that his deceased father's former master will hire him while a disgraced hairdresser attempts to regain his pride by kidnapping the daughter of a wealthy pawnbroker, who is set to be married.

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Story of a bandit king part 2.

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Story of a bandit king.

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A boy steals a knife from an old samurai, unaware of its value, setting off a strange chain of events.

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A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society. Considered a lost film.

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