Liv Ullmann

The life of a Norwegian icon, a world-renowned artist and a dedicated humanitarian: actress Liv Ullmann.

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Following Kristallnacht in 1938, Ulrich Ollendorff’s family flees Berlin as to avoid the horrific destiny shared by six and a half million Jews who were killed in the Holocaust. Within only a few years, he becomes one of the most well respected and famous ophthalmologists in New York City.

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A journey through Swedish queer film history.

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During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

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He calls them his demons—these fears and neuroses that keep him awake at night in his house on the island of Fårö. Ingmar Bergman is under observation. Swedish theater and film director Ingmar Bergman had a decisive influence on cinema. By the end of his life, he had made over 40 films and directed countless theater productions. He would have turned 100 in 2018. To mark this occasion, Henrike Sandner’s documentary “Ingmar Bergman – Master of Demons” features interviews with the filmmaker’s closest colleagues and friends, including actress Liv Ullmann.

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The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

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A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

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Who are we? Where do we come from? With private recordings, unique archive footage and stories from famous and unknown people, Trondheimsreisen takes a close and personal look at the history of Trondheim.

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In 1965 Ingmar Bergman filmed “Persona”, the cult film that brought together all of the Swedish filmmaker’s obsessions and became a turning point in his career.

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Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.

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A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.

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Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

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Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?

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The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.

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A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.

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This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

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Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

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MasterClass is a documentary television series airing on HBO. Each half-hour episode documents the experience of a small group of young artists working with a famous mentor. The series premiered on HBO on April 18, 2010 with opera star Plácido Domingo working with three aspiring young singers. The students in the program are chosen from participants in the Miami-based organization, YoungArts, a program of the National Foundation for Advancement in the Arts, which supports emerging artists. The series is produced and directed by Karen Goodman and Kirk Simon of the Simon & Goodman Picture Company. The Executive Producer is Lin Arison. In July 2011 the series was nominated for a Primetime Emmy Award for Outstanding Children's Nonfiction, Reality or Reality-Competition Program in 2011.

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Skavlan is a Norwegian-Swedish television talk show hosted by Norwegian journalist Fredrik Skavlan. It premiered in Sweden on Sveriges Television in January 2009, and the first guests to appear on the show were former Prime Minister of Sweden Göran Persson and his wife Anitra Steen. On 8 May 2009, it was announced that Skavlan had been renewed for a second season. It was also announced that the show would no longer only be produced by SVT in Sweden; Skavlan would now be partly produced in Norway by the Norwegian Broadcasting Corporation. The first twelve episodes of Skavlan's second season were produced by SVT in Sweden, and the remaining twelve by NRK in Norway. Skavlan speaks Norwegian and his dialog is therefore subtitled in Swedish in Sweden, even though the two languages are quite similar and mutually intelligible. If the persons being interviewed by Skavlan are Swedish, he often tells them to let him know if they do not understand what he is saying. Swedish novelist Jan Guillou has criticized SVT for subtitling the program, stating "there is no need for that. If the host had been Danish, subtitling would have been necessary, but with a Norwegian host it does not make any sense."

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A moving, magic and playful story about a young girl who, at the end of her life, learns to accept death and understands how wonderful life really is. The script is based on the novel by Jostein Gaarder.

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The history of Norwegian seamen goes from the Viking Age, and over to the present time when young people want to go to the sea.

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We follow Henrik Ibsen throughout his life. From early shame over his father's bankruptcy, via bitterness over the then conservative public life, to his older years as a national institution that tourists gathered to watch on their way to their very punctual, daily lunch at the Grand Café in Oslo.

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Side by side, two faces of the same woman looking at the camera are in slow motion. All nuances of her expressions can be perceived. In one portrait, she’s young, at the peak of her beauty. On the other one, she’s about 60 years old. The woman is the actress Liv Ullman, acting in two different films by Ingmar Bergman.

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A woman ponders over the strange coincidences that made her forefathers and -mothers meet and create the premises for her becoming the person that she is.

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How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

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Documentary about the making of Swedish film director Jan Troell's "The New Land" (1971) and "The Emigrants" (1972).

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A short documentary about Skammen

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A short documentary about Hour of the Wolf.

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A featurette on Ingmar Bergman's Persona.

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A documentary about the making of Ingmar Bergman's 1977 film "The Serpent's Egg."

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A documentary about En Passion

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A documentary about the production of Ingmar Bergman's TV film "Saraband."

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Reuniting the characters of Johan and Marianne three decades after "Scenes from a Marriage," "Saraband" follows Marianne’s visit to her reclusive ex-husband, where she finds him locked in a destructive conflict with his troubled son Henrik and Henrik’s musically gifted daughter Karin. Told as an intimate chamber drama, the film explores love, resentment, forgiveness, and the inescapable pull of family bonds.

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"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

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With Olin's 85-year-old father as guide, we experience Norway's most adventurous valley, Oldedalen in Nordfjord. He grew up here, and here generations before him have lived in balance with nature.

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Over the course of a midsummer night in 1890s Ireland, the unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.

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The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

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Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

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A unique anthology of six short vignettes on the subject of love, all of them written, directed and produced by women.

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