Lauren Fox

A detective investigates a murder, only to find that the victim is... himself. Soon, he discovers multiple versions of himself, not all of them friendly.

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William stands at the window telling Abigail his story of walking down 'the witches' path. The unseen spectral Abigail taunts William suggesting that he walked down the path hoping to see her. William does not contradict her, but instead recalls that just as he thought he had made it past, 'and then the girls appeared'. As the story continues in flashback, William discovers two drunk girls - Sarah and the very wasted Katrina - who ask for his assistance. Seeing the helplessness of their situation, William decides to help walk the girls home. William is slowly drawn in by Katrina first by her mindlessly echoing of 'Love me' and then by her demanding a kiss. William gives her a kiss at first reluctantly and then more passionately at her urging. Abigail torments the conflicted William telling him that the girls are really minions of the witches. As the trio approach Katrina's apartment, Sarah can only watch in fear as William becomes more physically possessive of Katrina.

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'The Days God Slept' is a cinematic prayer that deals with love and secrets; with faith and acceptance. Kristy has a secret to tell John and when she does - will their burgeoning ties of affection be strengthened or severed? Or will they find that the hardest thing to accept might be oneself?

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After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.

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FBI Special Agent Olivia Dunham, brilliant but formerly institutionalized scientist Walter Bishop and his scheming, reluctant son Peter uncover a deadly mystery involving a series of unbelievable events and realize they may be a part of a larger, more disturbing pattern that blurs the line between science fiction and technology.

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John Amsterdam is a New York homicide detective unlike any other. He is brilliant, mysterious, reckless, and immortal. In 1642 he saved a Native Indian girl during a massacre of her indigenous tribe. In return, the girl cast an ancient spell that conferred immortality upon him. Amsterdam will not age, she told him, until he finds his one true love.

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The diary of an occult novelist sends a young college student, on a journey into the paranormal and fantastic, evolving into a living nightmare of paranoia and terror.

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Set in contemporary LA, the twisted journey of a sculptor unfolds, in his never-ending battle to maintain artistic integrity and still make a living.

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Kenji is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it.

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A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.

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A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.

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A school student and her European-born grandmother share sad stories of their lives.

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Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.

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