Guylaine Dionne

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

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Brazilian native Priscilla Paredes is intent on staying in Montreal, despite the expiration of her student visa. Out of desperation, she takes a job as an exotic dancer at the Elixir, a downtown strip club, where she meets Milagro, a headstrong Quebecoise and fellow dancer who, ironically, longs to move to Brazil. Priscilla is welcomed into Milagro's secret family life, and introduced to her young daughter Chloé; Milagro in turn teaches Priscilla how to fight for what she wants, for what she needs.

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Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.

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Brazilian native Priscilla Paredes is intent on staying in Montreal, despite the expiration of her student visa. Out of desperation, she takes a job as an exotic dancer at the Elixir, a downtown strip club, where she meets Milagro, a headstrong Quebecoise and fellow dancer who, ironically, longs to move to Brazil. Priscilla is welcomed into Milagro's secret family life, and introduced to her young daughter Chloé; Milagro in turn teaches Priscilla how to fight for what she wants, for what she needs.

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Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.

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