Rodolfo Mayer

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

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The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

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For the launch of his new giant horoscope computer, famous astrologer Alex invites to his private island friends representing each of the 12 zodiac signs. During the welcome party, one of the guests is mysteriously murdered. Unable to leave the island, the others witness new deaths, always announced in advance by the computer.

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A large protest march of escaped slaves is an episode in the history of Chico Bondade and Boaventura, who had already become legendary for their difficult and daring missions.

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A retired civil servant decides to return to his hometown to reencounter his first and only love.

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A great mystery surrounds Leonora, and it becomes even more mysterious when a stranger arrives from Buenos Aires looking for her, saying he knows her. In love with her, he is desperate when they say she is dead. Not believing what they say, he continues his search. But upon finding her, he is faced with a cruel and unexpected enigma.

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Reconstruction of the historical episode of the Inconfidência Mineira (Minas Conspiracy).

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Badly advised by a high-class friend (who covets her husband) and by her scatterbrained father (always preoccupied with making cocktails), singer Noêmia forces her husband to abandon suburban life for the noisy 'big life' of Copacabana.

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An elderly head of the family, unlike his family—wife, daughters, future son-in-law, and servants—horrifies Carnaval, forming a humorous contrast. But, in need of money, he finds himself forced to accept the demands of an old Luzitano, who will only lend him money if he joins his group and joins the revelry.

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A pampered girl decides to marry in a different way: buying a husband.

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Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.

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An ordinary thief and two accomplices invade a mansion whose owners traveled to Buenos Aires. They settle there with the whole family, until the real owners return. The owner's natural son saves the thief's situation when he threatens to reveal some compromising documents.

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Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their "garconiére", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill.

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