Leung Sing Poh

1974 Drama by James Wong Jim

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Wu Te-chuan is a young man trying to make a living in an easy way. But now he is penniless and will being thrown out of his Macau hotel. Kind- hearted hotel maid Hsiao Yen is the only one to help him in the world. One day, Wu plays a trick on the hotel owner. The scheme backfires and Wu has to flee to Hong Kong. Wu saves desperate painter Hsin. He convinces Hsin that his painting will sell if he is dead. After Hsin pretend to be dead, his paintings really can be sold well, but backfires finally. Then, Wu and Hsin team up and engage themselves full time in con games, gambling and sex inclusive. Finally, Wu is being chased by the ring enforcers but is saved. Finding himself in love with Hsiao Yen, Wu decides to turn a new leaf and live properly ever after.

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Hong Kong comedy directed by Li Han-Hsiang.

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A musical comedy about two students returning home from abroad with plans to wed. However, their dads are bitter enemies and oppose the marriage.

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A father with four daughters, but has a conflicted relationship with his eldest one. Will they ever reconcile, despite their differences? A light-hearted romantic-comedy about a girl (Josephine Siao) who brought a boy home to get him a job at her father’s business but there’s only one problem; her younger sister has to stand-in and pretend to date her boyfriend.

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Three tales taken from author Pu Songling's collection of famous classical ghost stories. Wu Qiuyue- Wang Ding falls in love with a ghost and fights with the guards of Hades to bring her back. Monk Lu Shan-A monk takes Wang Qi as pupil and teaches him the act of walking through walls. A Woman's Head- Li Sheng marries Rui niang only to discover that she is a headless ghost.

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Li is a beautiful young woman who is engaged to a handsome scholar, Pei Shunqing. However, a rich evil man, Jia Sidao, is attracted by Li's beauty and wants to take Li as his concubine. Pei and Li then come to discuss the matter and decide to flee, but they are kidnapped by Jia's men before they can escape. Jia threatens to kill Pei, and Li finally yields but requests to see Pei for the last time. During their short conversation Li tries to persuade Pei to leave, but he insists that he will not leave without her. Li tells him that she has promised to be Jia’s concubine. Pei has to depart, angry and disappointed. Later, Li tries to kill Jia with his sword before their wedding but she is stabbed to death instead. Li's ghost then returns to avenge Jia and his men by burning them until only ashes remain.

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A series of murders are committed after the victims are served with a Death Pass. Connie Chan Po-chu is the "Jane Bond" on the case!

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Notorious bandit Wong Choi-fat, already retired, loses his prized Imperial Lady Mirror on the gambling table to Chin Yik-tung. But the treasure is stolen by a cat burglar a day before the new owner claims it. Wong’s daughter Ka-yuk (Josephine Siao) suggests replacing it with a fake one. Now they need to steal the fake one before their ruse is discovered.

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Mei-yuk works at her father Chak-On's company and meets Bing-Hin, but doesn't have a good impression of him. When the father tries to match make Mei-yuk and Bing-Hin, the two object, not knowing that they are pen pals that have developed feelings for each other.

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Hong Kong horror movie from 1966.

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good luck in HK

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Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

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The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

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The third film of ‘The Greatest' film series plays down cultural differences for an amusing cross-dressing comedy that features another great collaboration between Leung Sing-por and Liu Enjia. This time, Leung puts on omega hair and woman's clothing, posing as a rich woman in order to help his two friends get love. Liu is equally amusing, sharing the dance floor with Leung in a hilarious dance scene. Loosely based on the British play Charley's Aunt, the film is a delightful comedy on grassroots, offering a refreshing alternative to MP & GI's usual line of comedies.

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London special agents Wong Tak-fat and Fong Lung have arrived in Hong Kong to investigate a murder in connection with a drugs trafficking ring. Fong attends a ball hosted by his girlfriend's rich father Sze Kam-wing where evidences lead him to the Black Eye Bar. Wong befriends the recently widowed bar owner Lee Mei-chen and soon becomes enlisted as member of the ring and the ring leader's trusted aide. Falling in love with Lee, Wong is told that her husband was killed for leaving the organisation. Wong is however unable to establish contact with Fong with all outside communication cut off. Anxious to hear from Wong, Fong investigates discreetly at the bar. Mistaken for a cop, Fong is captured but helped to flee by Lee. Alarmed by Fong's escape and the leak of Wong's identity, ring members are just about to execute Wong and Lee just when the police raid the drugs den and arrest the ringleader—Sze.

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A Shaw Brothers crime film starring Paul Chang Chung and Pat Ting Hung.

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Hong Kong horror movie from 1962.

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Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?

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Romance of the Phoenix Chamber

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HK horror film.

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Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

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Hong Kong horror.

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A fortune-teller tells Ng Sze-tak that his days are numbered. His friend Chu Tai-fat is told that he will soon win a lottery. Soon, Chu's prediction comes true. Ng lives his days in terror until he realises that everything is but a false alarm.

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Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

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The Missing Cinderella

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