Jerzy Kucia

The film shows the process of evoking feelings and searching for landscape specificity by recounting events which have taken place in the scenery.

Open details →

Various animated depictions of movement, accompanied by different instrumental and ambient sound arrangements.

Open details →

Kucia's most recent film, Across the Field (1992), is his longest and arguably his most complex film in terms of imagery. In it, he applies many of the various techniques he has developed for his films over the years, the result being a rich collage of drawing, photographic images, and live-action film footage whose individual frames he has manipulated. This complex technique exists, according to Kucia, only as a vehicle to evoke the mood and emotion he wishes the audience to experience. This Impressionist approach to filmmaking is no doubt what inspired Marcin Gizycki to dub Kucia the "Bresson of Polish animated film."

Open details →

The harvest season recalls past time, gives rise to reflections, memories. The logic of the aftermath of events is replaced here by the logic of memory.

Open details →

Twenty animators from the U.S., Switzerland, Poland and China express their friendship with and love of animation in a series of animated variations on the standard countdown.

Open details →

A study of loneliness and passing away.

Open details →

A film on the subject of the passing time and the irrevocability of time.

Open details →

The film shows the process of evoking feelings and searching for landscape specificity by recounting events which have taken place in the scenery.

Open details →

Various animated depictions of movement, accompanied by different instrumental and ambient sound arrangements.

Open details →

Kucia's most recent film, Across the Field (1992), is his longest and arguably his most complex film in terms of imagery. In it, he applies many of the various techniques he has developed for his films over the years, the result being a rich collage of drawing, photographic images, and live-action film footage whose individual frames he has manipulated. This complex technique exists, according to Kucia, only as a vehicle to evoke the mood and emotion he wishes the audience to experience. This Impressionist approach to filmmaking is no doubt what inspired Marcin Gizycki to dub Kucia the "Bresson of Polish animated film."

Open details →

The harvest season recalls past time, gives rise to reflections, memories. The logic of the aftermath of events is replaced here by the logic of memory.

Open details →

A study of loneliness and passing away.

Open details →