Sohrab Shahid-Saless

Meteor: Sohrab Shahid Saless by Mahmoud Behraznia is a documentary with a different perspective on Sohrab Shahid Saless, a leading Iranian filmmaker. Someone whose viewpoint at cinema and the special type of aesthetics he used in his films has been a path-breaker for many Iranian filmmakers. The film provides the viewer with new information about the life and work of Sohrab Shahid Saless in Germany.

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A portrait documentary about one of the most prominent pioneers of the Iranian modern cinema, Sohrab Shahid Saless. In 1969, a young man of 26 years of age returns to his country Iran after years of studying cinema and going through the hardship of living abroad as a university student. He does not want to become a filmmaker in the commercial and valueless cinema of that time, so he chooses a different and – of course – a very hard path for the making of his films. The result of the daring choice is the two features A Simple Event and Still Life, which are remembered today as the most important and most influential first examples of the formation of the Iranian modern cinema. The pioneer filmmaker is nobody but Sohrab Shahid Saless. But how he succeeded in the making of the unconventional films? And how are his films related to the vicissitude in his life?

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Filmmaker Mehrnaz Saeed-Vafa interviews the veteran filmmaker three weeks before his death in an effort to introduce American cinephiles to his life and work. In addition, Saeed-Vafa skillfully uses film clips to illustrate the haunting quality of Saless' work and the impact it has had on generations of Iranian filmmakers.

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This movie takes a unique look at Baghtcheban School, the special school for deaf children, how it deal with teaching the kids and how they lives are effected by it.

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Annual awarding of the Grimme Awards.

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A psychodrama about how injustice is turned into oblivion about an opportunity worker and a woman from the civil house of a marriage for 30 years . Soon the relationship fails due to the aggressive, also destructive tendencies of the man who enters a deep personal crisis. When the marriage coined/shaped of force and Psychoterror goes finally into the breaks, the man looks for comfort in the alcohol and becomes criminal.

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Left behind by his mother, an alcoholic prostitute, Georg grew up carelessly with his aunt and grandmother. As an adult he works in a department store canteen and has become an outsider due to his shape and infantile appearance.

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The nine-year-old Mahmud writes a letter to his 'friends in distant countries' and reports on life in Kabul during the years of the Afghan revolution and counter-revolution.

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A young man lives through the end of World War II

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An elderly man lives a solitary and rhythmic life by a dilapidated mill near a river. His days are spent almost entirely in silence, fishing under the shade of a massive, ancient willow tree that seems as old and weathered as he is. One Sunday, while fishing, he witnesses a murder.

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A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.

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A woman leaves her husband and starts living with a Turkish man.

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Documentary on the life of Cechov.

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Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?

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Historian, author, and movie critic Lotte H. Eisner is the subject of this documentary. She recalls her early childhood in Germany and her association with such legendary directors as F.W. Murnau and Fritz Lang. Leaving Germany for Paris in 1933, her anticipation of WW II saw her relocating to the South of France. Eisner gives her considerable and insightful opinions on classic German Expressionist Films, as several of her admirers drop by during the interview conducted by director Sohrab Shadid-Saless.

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A diary of a lonely 30 year old man who works as a butcher in a supermarket. The movie shows his daily life between the supermarket and his flat. His ability to communicate is limited. From time to time his mother visits him. But his relationship to her is rather reserved. Constantly he's waiting for his girlfriend which is not visiting him anymore after they had a fight.

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A young boy learns of his mother's occupation while trying to save money for a bicycle.

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Turkish migrant Husseyin spends his days in hypnotic routine as a “guest worker” in ‘70s West Berlin, living in a small, shared apartment and commuting daily to his job at a factory pressing machine parts. Diligently saving up his wages he hopes to one day marry and buy a house back home, but his immediate future in Berlin is clouded by indignities at the hands of racist coworkers and botched attempts at romantic intimacy.

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A railway crossing guard and his wife live in a routine of total isolation and uneventfulness.

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The story of a ten years old Iranian schoolboy living with his mother and his father in Northern coasts of Iran. The boy helps his father in selling the latter's illegal fishing and helps his mother in shopping for her and bringing home water from a well. The three characters live together in only one room. Their life is austere. The boy eats only bread and milk every day... One day the boy's mother dies.

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Short film made with stop motion animation techniques.

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