John Kramer

On April 4, 1957, Herbert Norman, the Canadian ambassador to Egypt, leapt to his death from a Cairo rooftop. During his remarkable life, Norman helped set the course of post-war Japan and played a key role during the Suez crisis. But with all of his talents and achievements, there was something haunting Herbert Norman and following him to every corner of the globe: the accusation that he was a Soviet spy. This documentary takes us back to a time when the Cold War was heating up and when the mere accusation of communist sympathies could destroy a man's career. Using de-classified documents, interviews with key players and dramatizations filmed around the world, the film reconstructs the ordeal that Norman endured for seven long years, as a US Senate subcommittee relentlessly probed his past beliefs and current loyalties.

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This film explores how Canada wavers between rejection and acceptance of closer ties with the United States, tracing the historical precedents of current issues between the two nations. Canada continues to question her identity despite the influence of a powerful neighbour.

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Through rare film footage and interviews with some of the pioneers who made film history, this documentary traces the history of filmmaking in Canada from 1939-1953. It covers the establishment of the National Film Board in 1939; the war years; Canada's first Oscar; and John Grierson's sudden demise as Canada's driving force in the industry. We witness the struggles of the private film producers, the development of the film industry in Québec, and the emergence of the documentary. Above all, the film asks whether the alternating fortunes of the Canadian film industry, in the face of an overwhelming American presence, reflect the attitudes of the Canadian people towards themselves and their culture.

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This feature-length Oscar®-nominated documentary focuses on Malcolm Lowry, author of one of the major novels of the 20th century, Under the Volcano. But while Lowry fought a winning battle with words, he lost his battle with alcohol. Shot on location in four countries, the film combines photographs, readings by Richard Burton from the novel and interviews with the people who loved and hated Lowry, to create a vivid portrait of the man.

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Analysis of sadomasochism and our obsession with power through the centuries.

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On April 4, 1957, Herbert Norman, the Canadian ambassador to Egypt, leapt to his death from a Cairo rooftop. During his remarkable life, Norman helped set the course of post-war Japan and played a key role during the Suez crisis. But with all of his talents and achievements, there was something haunting Herbert Norman and following him to every corner of the globe: the accusation that he was a Soviet spy. This documentary takes us back to a time when the Cold War was heating up and when the mere accusation of communist sympathies could destroy a man's career. Using de-classified documents, interviews with key players and dramatizations filmed around the world, the film reconstructs the ordeal that Norman endured for seven long years, as a US Senate subcommittee relentlessly probed his past beliefs and current loyalties.

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The filmmakers were given remarkable freedom to record the historic 1984 contract negotiations between the United Auto Workers and General Motors Corporation. Bob White, labour leader of the Canadian branch of the UAW, must also confront his American counterpart from Detroit and succeeds in arriving at a contract that is significantly Canadian. His members had already given him a mandate to fight for independence from the American union. This is an invaluable document for anyone interested in the complexities of United States-Canada relations. It's an extraordinary film about revolutionary events.

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If you've ever bought a wonder wallet, a food slicer, a canapé maker, a patty stacker, a miracle brush or a super knife, you may know that the CNE, the Calgary Stampede, and virtually every home show, car show, craft show, fall fair and ploughing match in Canada has at least one thing in common. At hallway intersections and bleacher exits work the second cousins of the carnival barker, the crowd pleasers and teasers, jugglers of people, product and pitch: the point-of-sales professionals known as pitchmen. This documentary looks at the psychology of the impulse sale and provides a view of the world of commerce, salesmanship and advertising at the grass-roots level. The men and women featured in the film have mastered the fine art of selling everything you never needed. Shot at fairs and on the set of a late-night TV commercial, the film shows the hard work behind the hustle.

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