Marcel Łoziński

The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.

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Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.

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Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

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The film reveals the mechanisms of the communist institution of censorship. Famous filmmakers - Kazimierz Kutz, Andrzej Wajda, Krzysztof Kieslowski, Filip Bajon and Marcel Lozinski - talk about their contacts and experiences with censors, how their films were censored, what parts were considered contrary to the ideology of the socialist state. These interferences were often of an absurd nature. At the same time, the filmmakers mention how much of the intended content they managed to smuggle out. The film is also an attempt to analyze and summarize the role of censorship in a totalitarian state and its impact on culture and art.

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A school teacher from a small town in Poland comes to Warsaw to see his estranged wife, a window dresser, in the hope that she will return to him rather than give him a divorce.

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A group of director's school colleagues meet after 12 years at his place. They talk about what they think of their life choices.

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Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.

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Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

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11-year-old Werka and her 9-year-old brother Marcel wind up at the front door of a children's home in Wroclaw. Asked who they are, Werka replies, "We are children of communists." In return the teacher yells, "Why do they only send us Judeo-communists?!!!" It is 1949. Werka and Marcel's mother, a pre-war communist, is arrested and charged with collaborating with American intelligence. She will do five and half years. Her children will spend these years in other children's homes. A film about a brother and a sister marked with the ideological choices of their parents.

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In Poland, letters with incorrect address end up at the Department of Unsent Mail in Koluszki. The film follows one of these letters, on which a child's hand has written an unusual address: 'God. Heaven.'

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Tomek, Marcel Lozinski's son, is eighteen now. Exactly twelve years ago, when he was six, his father filmed him while he was visiting a park in Warsaw. Tomek used to stop next to some old people sitting on the benches, and, with childish frankness, would ask them questions about joy, loneliness, fear of death, dreams, love and lack of love. Now, after twelve years, on his birthday, Tomek comes back to the garden of his childhood. A magical encounter will commence.

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Piotr Tymochowicz, media advisor to some of Poland's top politicians, claims that anybody can be molded into a charismatic leader. To prove it he's looking for a greenhorn that can be turned into a candidate. A call is put out for would-be participants, and hundreds apply. A small group is selected and under go training. Polish master Marcel Lozinksi followed Tymochowicz and this project for three years, and this beautifully shot and edited work paints a compelling portrait of cynical (and quite familiar) demagogy and populism in action.

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Weaves together the personal recollections of four Polish survivors of the Holocaust with original footage from the present day. The film focuses specifically on the relations between Jews and Poles in Nazi occupied Poland.

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Polish filmmaker Marcel Łoziński revisits the farmer/intellectual Urszula Flis, subjects of his 1978 film 'A visit'. Łoziński observes the changes that have occurred over the intervening 23 years and again persuades this sensitive, secluded woman to talk through her thoughts, fears and feelings. Through this, the morality of the documentary portrait itself is called into question.

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A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

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This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.

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Marcel Łoziński tells the story of the crime committed by the NKVD in Katyn in 1940. He interweaves accounts of witnesses and survivors with images from the pilgrimage of members of Katyn Families to the place of murder, death and nameless burial of their loved ones.

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On July 4th, 1946, the crowd in Kielce, Poland, slaughtered forty-two Jews and wounded many others. Forty years later, in 1987, Marcel Łoziński visited those places and met some witnesses of the carnage.

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At the famous Grand Hotel in Sopot, each worker - whether a porter, a maid, a cook or a stoker - feels an important part of their workplace. Perhaps even the most important.

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A holiday training camp for young married couples who belong to the Polish Socialist Youth Union (ZSMP) begins at the campsite. From the commander's welcome speech, they learn that a film crew will record camp life and training classes under the slogan "Model Family".

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This movie is about the visit of Clive Harris, the famous healer, to Warsaw. Incredible crowds gather before the entrance and Harris "heals" thousands of people by briefly touching them. Tireless on his stand, he fulfills his duty for 24 hours a day.

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A documentary condemning the scourge of poorly conducted inventories.

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Shortly before retiring, an old railway worker causes a serious accident which ultimately destroys his whole professional career.

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A TV film about the preparations for Wojciech Fortuna's return from Sapporo, after he won the Olympic gold medal.

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Activities of inspectors of the management board of the Olsztyn branch of the Agricultural Workers' Union; a visit and meeting at the Karwino State Farm and the Tymień combine.

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