Abdellah Taïa

Soundouss and Jaâfar, two gay youths from Casablanca, spend the summer in Cabo Negro in the north of Morocco, at a villa rented by Jaâfar’s American lover—who does not show up. The friends decide to stay in the villa and do the best they can.

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January, 2007: I am back in Cairo. For work. You have changed your phone number, Omar. I must find you... I love you. Abdellah.

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The writer and filmmaker Abdellah Taïa writes a letter to his gay nephew, Brahim, to help him getting out of fear, to support him, to walk beside him. To love him strongly.

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Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

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The writer and filmmaker Abdellah Taïa writes a letter to his gay nephew, Brahim, to help him getting out of fear, to support him, to walk beside him. To love him strongly.

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Rome, Paris, Marrakesh, Saint-Brieuc and New York, familiar decors of hotel rooms and prison cells... inmates, travesties, illegal immigrants relate their intimate relations with the writer and show how his words continue to echo. This film commemorates the centenary, in December 2010, of the birth of this genius of 20th century French literature.

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A documentary on gay, lesbian, and transgender Muslims across the Muslim and Western worlds.

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This romantic-kitsch story goes from Paris to Marseille, from Amsterdam to Morocco via Jean Genet's grave in Larache, and on to Tangiers. The movie tells the story of an Algerian-French heterosexual young man beginning a sociology study of gay islamic homosexualities and discovering gay love with a young French steward.

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Soundouss and Jaâfar, two gay youths from Casablanca, spend the summer in Cabo Negro in the north of Morocco, at a villa rented by Jaâfar’s American lover—who does not show up. The friends decide to stay in the villa and do the best they can.

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January, 2007: I am back in Cairo. For work. You have changed your phone number, Omar. I must find you... I love you. Abdellah.

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When penniless young writer Labidi meets Elisa he knows she’s the one for him. But Paris is expensive. A captivating film that combines the classic themes of French New Wave cinema with questions about roots, familiarity and distance.

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Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

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