Brad Smith

An archive of '90s culture and a philosophical study of fame via the intimate video-diary of Shannon Hoon, the late lead singer of alt-rock band Blind Melon.

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The story follows 19-year-old Moza as she delves undercover and transforms into superhero Emara. Clad in a navy blue headscarf, a green, white and gold costume, a cape lined with red, and golden specs inspired by the burqa (a traditional, metal-like cloth worn around the eyes by Emirati women), Emara fights crime on the busy, bustling streets of the UAE.

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Five high school teens take an impromptu weekend camping trip to a notorious desolate party spot.

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Released ten years to the day after the concert it chronicles, Blind Melon's Live at the Metro, September 27, 1995 presents a full-length show held at the Cabaret Metro theater in Chicago during the band's final tour, less than a month before the death of lead singer Shannon Hoon. (Six of the video's performances previously appeared in the 1996 home video Letters from a Porcupine; 13 are previously unreleased.) It's easy to see why Blind Melon couldn't continue without him.

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This posthumous tribute to Blind Melon documents the band's ascendancy to the top of the charts, including extensive footage of live club performances, their set at Woodstock '94, late-night television appearances, and behind-the-scenes footage of the recording sessions for their final album. Songs include "Soup," "Toes Across the Floor," "St. Andrews Hall," "Soul One" and "No Rain (Ripped Away Version)."

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Blind Melon's live performance and interviews on MuchMusic's "Intimate & Interactive" series on September 12, 1995. Songs include No Rain, Lemonade, Galaxie, Toes Across the Floor, and more.

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Blind Melon performs a live set at Rhythm & Brews in Chattanooga, TN on March 12, 2008.

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Following the success of their eponymous debut in 1992, Blind Melon succumbed to the familiar tale of falling into the debauchery which comes hand in hand with rock ‘n’ roll riches. Their set on the main stage on day two at Woodstock '94 would mark the band at the peak of their powers as they delivered a performance that would have even stood out in ’69. For the exhilarating set, frontman Shannon Hoon opted to wear his girlfriend’s white dress which was quite the statement back in ’94, a time when society was no way near as progressive as it is today and signified the sort of accepting character that he was.

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When a young rancher crosses paths with a Lakota girl from a nearby reservation, her mysterious disappearance sparks a search that uncovers a harrowing past and hints at a dire future.

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