Andrea Paolo Massara

In 1956, Roberto Rossellini was in the throes of a personal and artistic crisis. His recent films with Ingrid Bergman had flopped, their marriage was falling apart, and the press was relentless. When Bergman returned to Hollywood, Rossellini accepted an invitation from Indian Prime Minister Nehru to document India's progress. With doubts and a suitcase full of spaghetti, he set out to find a creative and emotional rebirth in India, inspired by a culture that balanced tradition and modernity.

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During Lea's wedding, her old friend Carla, now a novice nun, sits among the guests, as within her rises the desire to declare her love before the eyes of all, especially God.

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A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.

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It follows Gaia, who works in a funeral home and one day something unexpected happens.

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Because of a serious motor disability, Claudia cannot move without being helped by her mother. At the age of 20 she is still a virgin and wonders what sexual pleasure could possibly be like. But one day Marco, a Love Giver, comes into her life. Marco has just attended the first course to help disabled people to discover their own bodies and sexuality, an unprecedented event, on the margins of legality. Supported by a team of specialists, Claudia and Marco embark on a series of meetings which become ever more intimate. However, the project is subject to protocol which includes a rule that is difficult to enforce: never fall in love.

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On an autumn night, in the deserted streets of a seaside town, Sara is fleeing from a party, convinced she has witnessed a murder. He finds refuge with Veronica, but does not know that the woman is the lawyer of an important industrialist, the alleged murderer.

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