Radhamohan Bhattacharya

The story mainly builds on confusion and how that creates a huge humorous ruckus that will leave its audience in splits.

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A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

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Another attempt at ghosts and reincarnation. The Court singer's foster grandson, Baiji Kamala's son (Shankar) arrives one day at the court and is exactly a replica of the prince (Rudra). Ali knows he is the illegitimate son of the King. Despite being aware of the facts, both become fast friends, and Rudra takes it upon himself to protect Shankar. Queen Padmavati (Dipti) tries to poison Shankar, killing the King Pratap instead. Shankar grows up to be a stereotype, drunkard, and pleasure-loving, and Shankar is the moderator. In childhood, Dewan's daughter Ranjita betrothed Rudra, preferred Shankar and finally married him. Rudra can't bear it and is out to kill Shankar. Will he succeed? If he does then?

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A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.

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Deep Narayan, a wealthy and noble man, is killed by his greedy brother Anugraha, who seeks to inherit his property if Deep dies childless. Unaware that Deep's wife, Shree, is pregnant, Anugraha proceeds with his plan. Before dying, Deep confides in his manager Chandrakanta, who vows to protect Shree. Shree gives birth to a son, Pradip, who grows up to take charge of the family business and falls in love with Shikha. When Shikha learns she's adopted, Pradip also discovers he isn’t Shree’s son. It's revealed that Chandrakanta had switched the babies, and Shikha is Shree’s daughter, while Pradip is the son of Deep’s employee, Mr. Sridhar. In a selfless act, Sridhar dies while saving Pradip during a rescue in the coal mines.

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Against the backdrop of the Indo-China war of 1962, Tapan Sinha made a short documentary meant to arouse patriotic feelings, called Aamar Desh.

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A Lost Uttam Kumar Bengali Film.

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Gauri Shankar Roy looks much like the king of Jhind. When the actual king, Shakar Singh, goes missing, a person from the kingdom approaches Gauri to pretend to be the king.

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A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.

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The struggles of a doctor in rural India.

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Rahmat, a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini who reminds him of his own daughter back in Afghanistan. One day Rehmat receives news of his daughter’s illness and decides to return to Afghanistan. But before he goes a violent fight with a customer leads to Rehmat killing him. He gets out of prison ten years later. Based on a Rabindranath Tagore story.

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Hemen Gupta's 'Bhuli Nai' (1948) was set against the infamous 1905 Partition of Bengal by Lord Curzon.

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A 1947 Bengali Film directed by Hemen Gupta.

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An idealistic writer from a humble background clashes with a wealthy capitalist who steals his work. When factory workers strike, the capitalist's sister, disillusioned by her privileged life, abandons her wealth to join the writer in his fight for social justice and equality for the poor.

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Anup loses his job writing speeches for a wealthy industrialist and decides to focus on finishing his novel. But when his former boss steals Anup’s unpublished book, he throws himself into socialist politics.

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