Diamanda Galás

A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.

Open details →

A 96 minute internet video collage made during a particularly disorientating time.

Open details →

Galás is known for her arresting concert performances and has been seen in the Barbican Hall on several occasions. SPILL and the Barbican are proud to present this important film installation which deals with asylum institutionalisation, originally commissioned by New American Radio and the Waker Arts Center in Minneapolis (US). Witness several short performances over the space of twenty-seven minutes alternating extreme high-energy vocal work with absolute silence. These performances reflect the state of a patient subjected to torture through chemical or mechanical manipulation of the brain, kept in a confined space with periodically or randomly triggered bright light, heat, beatings or rapes. There is a high density of speech-sound over time which is often machine-like in its velocity. The work employs the atypical speech and vocal signal processing that Galás has been researching since 1979.

Open details →

Her Noise was an exhibition which took place at South London Gallery in 2005 with satellite events at Tate Modern and Goethe-Institut, London. Her Noise gathered international artists who use sound to investigate social relations, inspire action or uncover hidden soundscapes. The exhibition included newly commissioned works by Kim Gordon & Jutta Koether, Hayley Newman, Kaffe Matthews, Christina Kubisch, Emma Hedditch and Marina Rosenfeld. A parallel ambition of the project was to investigate music and sound histories in relation to gender, and the curators set out to create a lasting resource in this area.

Open details →

Second part of Brown's Air Cries 'Empty Water' trilogy.

Open details →

Rare VHS tape of Diamanda Galás performing in 1993.

Open details →

Count Dracula, a 15th-century prince, is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina, the spitting image of his dead wife, he imprisons him and sets off for London to track her down.

Open details →

Galás is known for her arresting concert performances and has been seen in the Barbican Hall on several occasions. SPILL and the Barbican are proud to present this important film installation which deals with asylum institutionalisation, originally commissioned by New American Radio and the Waker Arts Center in Minneapolis (US). Witness several short performances over the space of twenty-seven minutes alternating extreme high-energy vocal work with absolute silence. These performances reflect the state of a patient subjected to torture through chemical or mechanical manipulation of the brain, kept in a confined space with periodically or randomly triggered bright light, heat, beatings or rapes. There is a high density of speech-sound over time which is often machine-like in its velocity. The work employs the atypical speech and vocal signal processing that Galás has been researching since 1979.

Open details →

Rare VHS tape of Diamanda Galás performing in 1993.

Open details →

A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.

Open details →

Live performance of Diamanda Galas in 1985, released by Target Video. The performance, based on a poem by Charles Baudelaire, devotes itself to the emaraldine perversity of the life struggle in hell.

Open details →