Victoria Carreras

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

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The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

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Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

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A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

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An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

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Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

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Bianca an emotionally unstable office worker is asked by a mysterious client to deliver documents insisting she must deliver them herself in person. On her arrival Bianca is kidnapped. Her captor, leader of a cult, drugs Bianca whilst tormenting her with continuous relentless indoctrination, forcing Bianca her to question the veracity of her memories, even those most life forming, as a victim of child abuse.

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Clara, a psychologist, and her husband Gustavo have been separated since the disappearance of their son, Lucas. A year after Lucas' disappearance, Gustavo finds on Facebook information about a girl, Augustina, who went missing just two days after Lucas. The broken couple go Augustina's parents in an attempt to find clues about their sons disappearance.

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In a downtown building, old and beautiful, of the turbulent Buenos Aires, stories of men and women who keep secrets behind solid walls are intertwined. For Lucy, it is the secret price for freedom; for the Ukrainian immigrant and the Tucuman teenager, it is a refuge; for Lorenzo, it is debauchery; for Gaby and Mariano, disagreement; for Mónica and Sergio, the promise of new life. The stories are intertwined. No one is the same after opening the door to their most intimate desire

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An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

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For the first time, María Elena Walsh's autobiography is brought to film. She herself tells us about her parents and the games of her childhood. And, later, her trip to Paris, the music hall, her first children’s verses and some personal confessions.

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Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

Open details →

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

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A story about hope, despair and disagreement, where a writer and a prostitute, who have lost everything, travel to the south. Looking for answers; driven on paths towards nothingness.

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