George Kuchar

That Woman uses as source material the original Barbara Walters interview with Monica Lewinsky, which is intercut with a re-staging of the interview. Ms. Lewinsky is played by a women bearing a remarkable physical resemblance to the original, and Barbara Walters is played by George Kuchar. The make-up, costumes, set, lighting, and camera set-ups, are a facsimile of the original, albeit without the stunning high-production values displayed in the network original.

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An epic tale of love and loss. Made using voicemails the Kuchar brothers left on her home answering machine, the artist reveals George and Mike in all their candid honesty leading up to and following George’s untimely death in 2011. McGuire floats their voices along a river of digital scribbles and her own voice in singer/songwriter mode. The beauty of the piece lies partly in how the voicemails, used as-is and chronologically, contain an entire narrative about love and loss in a DIY style reminiscent of the Kuchars.

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"George Kuchar meets my mother."

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A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960s and '70s to profoundly embrace life and ‘follow your own weird’.

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Notorious underground all-girl vampXcore band Bloodrape sets out on a reunion tour to destroy everyone's flesh/feelings.

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This video diary visits two sites that exhibited Kuchars visual works this past year, culminating at the VOLTA ART SHOW in N.Y.C., where he sold some paintings and a photograph.

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With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.

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Encompassing both Thanksgiving, Christmas and the exploding New Year's Eve celebrations, this holiday video is chock full of chicken and chatter befitting the season. There's a turkey in there too and a hungry clan of consumer ready to eat you out of house and home (with a house made specifically for that purpose). Come join the merry mayhem as young and old devour what's left of the old year to burp up the new one!

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Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight! Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly truculent trespassers of a salty sanctuary. Visit the chefs of chivalry as they skewer the squeamish with talons of titillating tidbits, each one a calorie crunching course in obese obtrusiveness and opulent oddness. Come one, come all, and sample a smorgasbord of simple pleasures in this vacation video of vicarious vacillations.

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A trip to Winnipeg introduces the viewer to moments of Canadian cuisine and to the easily digestible tidbits that make up the WNDX Film/Video Festival. Come join the movie buffs as they beef up on eye candy and tummy truffles, all the while indulging in a masticating miasma of minutia that's easy to swallow. Wash it all down with some river views and Mr. Coffee secretions and you'll get a taste of the treats that await all who head north to appease the more southerly rumblings of the human anatomy.

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It's the season of joy once again and this video depicts the tasty and the troublesome in big, heaping spoonfuls. Witness a social whirlpool of whipped confections and stripped confessions tastefully prepared in soupy symbolism. See man and domesticated mammals share in the bounty of a cosmopolitan cornucopia. Feast your eyes and ears on the snap-crackle-and-pop culture of a city simmering in smut. Swallow it all in the 4:3 format and good luck in the digestive department.

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This time, the call of the west sends Kuchar packing to Oregon, California and Arizona. You too can experience the dizzy delights of a whirlwind tour and witness wonders seen through the savage eye of a Sony camcorder. Actually, the adventure is rather mellow in mood and should spare the viewer a need for the ever looming and inevitable barf bag. See Phoenix in all its rocky royalty! Relish in the student clogged ivy halls of Portland! Immerse yourself in a technicolor rendering of Irvine, California. And don't worry, the trip isn't that long, as that savage eye has a short attention span.

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Another edition to Kuchars weather diary series, this particular one has more social intercourse occurring in the prairie hovel which houses the hidden longings of he who seeks sustenance from the void. The void acts up in the beginning and then simmers warmly in the glow of companionship from fellow travelers on this Route 66 to who knows where? Perhaps to that pillar of pancake perfection known as Denny's (the restaurant, not the deity).

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It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.

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A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.

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Curtis Jackson is studying performance art at one of the most prestigious art schools in the nation, yet he is still unable to live down the shame of his devastating past as a high school swimmer who was exposed as having webbed feet. In this heartwarming, coming-of-age tale, Curtis must overcome his insecurities and finally win over the girl of his dreams, all while still trying to explore his creative path and get a good grade at the end of the semester.

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A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor. A short meditation on a tall terror in the trees that shade shadowy giants from the glare of sanity.

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Frisco anxiously awaits the pyrotechnic birth of a New Year while the remnants of holiday greenery still burn bright in all the right places. One of those places gives shelter to an Abyssinian animal of lethargic nature, while all about her the rumblings of tummies in turmoil foreshadow the gluttony of her bipedal guardian.

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One of Kuchars weather diary series out in Oklahoma. The tone is wistful, the surroundings wispy (with some puffs of pungency). The TV is on and the porcelain is smeared with some residue atrocity from a previous passion. But all is well as emptiness persists beyond the four walls of this prairie mausoleum.

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A very black mix of comedy about relationships, the media, children's beauty pageants, sex change operations and personal problems.

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A summer sojourn is fleshed out for maximum solar exposure in this video travelogue of sun, sea and epidermal exhibitionism. The states of mind and geographic localities are awash in a flow of imagery that rushes in on a tide of both Pacific and Atlantic origins. The people and places that bathe in this magnificence add both a sacred and profane froth into the salty brew; a witches brew of sculpted creations bubbling up with volatile violations from the depths of unfathomable needs.

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An ex-student of mine opens up in the privacy of her home and shows me her etchings (watercolors) as we talk of art and things that slip under the fabric of daily attire. - George Kuchar

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This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

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In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

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George Kuchar takes his Japanese student on a trip to Los Angeles and meets with his entertainment industry friends including Buck Henry, Christopher Coppola, and Jeffrey Schwarz.

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A trip to the Marin headlands at the Golden Gate of San Francisco Bay headlines this video diary. The viewer gets to eves and eye drop on various verbal and real time activities that are of a wet nature now and then. There’re boats and bodies and some spoken unspeakables amid the splendor of natural and unnatural expressions befitting the rim of a pacific paradise at low tide.

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A tribute to the work of Alfred Hitchcock, featuring contemporary filmmakers, writers, performers, and cultural critics.

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A 1940s campy film noir sex romp comedy thriller. Harlem, Chinatown, Park Ave. It’s the same old story. Boy meets girl, boy gets dead, girl gets rich. Real rich. With Bill Rice, George Kuchar, James Tigger! Ferguson, Armen Ra, Mimi Gross, Megan Pearson, Mariana Newhard, Kimberly Lewis, Meghan Love, Jenny Weaver, Amalia Rosa, and Royston Scott. Music by Marc Ribot and Brett Flute. — Anthology Film Archives

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Provides a rare glimpse into the world of George and Mike Kuchar, underground filmmaking brothers from the Bronx. Get to know the Kuchars, casually hanging out with John Waters at a party, looking at old yearbook photos with their high school classmate Gerard Malanga. Sit in on an extensive interview with the brothers at Anthology Film Archives.

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A California Christmas season ushers in an array of holiday visuals designed to feed the hunger of soiled souls in search of truffle filled delights. A glittering seaport of electric lights helps the viewer to see through the murk of isolation as various species claw their way through the bountiful gifts that a rainy season delivers. Awash in joy and Juju statues, the unclean celebrate a rebirth dipped in chocolate as reptile and mammal unite in a dark hunger for foil wrapped ecstasy

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Since the 1980s, Kuchar has been creating brilliantly edited, hilarious, and often diaristic tapes made with dime-store props and not-so-special effects, using friends as actors and the "pageant that is life" for his studio. In this interview, Kuchar, in a generous, gregarious mood despite the Manhattan summer humidity, discusses his life and the full range of his work from the early collaborative films to his most recent tapes. Conversational anecdotes, frank and witty, provide insight into Kuchar's working methods, as well as the work itself and its reception in various quarters.

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A holiday video of good cheer and feline ferocity, this annual tradition of videotaped festivities centers on the oriental and occidental tidbits that make the season worthy for bipeds on wheels as they pedal from one calorie laden event to another. Along the way we meet many champs and chumps as they chomp away at the remaining moments of 2003. Ahead lie the lumpy treats of a New Year in need of NutraSweet.

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Clouds abound in this short meditation on vaporous masses that flow across the borders of our windowpanes, leaving in their wake the wreckage of discarded diets and sugar coated emptiness. Into those holes that surround us with the sweetness of puffy dough we plunge into a landscape of desolation and rebirth, never again to deny the terror that piles up in the sky like a malignant mound of virgin pudding. A mass of revolving turbulence hell-bent on defying gravity in the name of vertical instability and electrical insanity. A supercell for the supersized who flee its windy wrath.

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In this dream portrait, George Kuchar travels through snow confetti, strobe flashes and artificial wind as he describes his weather diaries. Then, George joins Janet Leigh in the shower. Wearing a red raincoat and a shower cap, reading comic books and blowing bubbles, he laughingly describes his bathing rituals and the making of his film, HOLD ME WHILE I'M NAKED.

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A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north. It is there that we witness the cooling fogs and diving mammals of maritime yore and sail free in winds of a nautical nature. A nature that fills the summer sky with twinkling tidbits and the tummy with protein rich denizens of Neptune’s soup. A tour of the towering turrets of tomorrow land and the spatial splendor of yesterday’s yearnings captured on both chemical and electrical media.

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Alone in an Oklahoma motel room with a mute companion, the talkative one speaks the language of memory as pussycats feast from a canned cornucopia. Murals plaster the vacancy intrinsic to American angst as horse tails whip from annoyance the nagging gnats of tomorrow’s dung: a heap of uncertainty made impotent by the swashes of chipped paint that depict a netherworld of faded dreams and nostalgic neurosis for the future impaired.

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A high-spirited romp through the (former) campus of San Francisco Art Institute, with two films each from George and Mike Kuchar. Features: Bloodsucker (1975, Mike Kuchar, 21 min.) – 16mm orig presented in digital format; I, an Actress (1977, George Kuchar, 10 min.) – 16mm orig presented in digital format; The Asphalt Ribbon (1977, George Kuchar, 21 min), – 16mm orig presented in digital format; and Happy Birthday (2013, Mike Kuchar, 20 min.) – digital video 16:9.

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George spends quality time with his friends Karen and Carla in this unconventional, glitchy, collaged holiday video. HOLIDAZE filters a gift exchange through a lightly ironic, kitschy palette: whizzing geometric irises, stock footage of angelic-looking kids opening presents, and MIDI versions of Christmas songs. Kuchar’s magic was his ability to see the cinematic potential in everything around him—here, he finds endearing humor in three friends trying to work a landline phone. It became a tradition for Kuchar to break out the camera during his friends’ holiday festivities, but HOLIDAZE is unique for its visual verve, with lo-fi effects reminiscent of an arcade game.

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In a motel room, things start to get alive.

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A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord. The mood is upbeat while the company is lowbrow, and coming out of the bushes rather than the woodwork.

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A man and a hotel room. One of the best of the series. Writes Kuchar: "Set in central Oklahoma during May, I spend 3 weeks in a motel and get talked at by a small weather-radio that seems to rule my life. I, myself, get to talk at the lady who runs the motel and who runs a cosmetic empire downtown. The viewer gets to see her equipment and her corner of the world as storms lurk somewhere off-camera, waiting to enter stage left and bring down the house. This is one of the more social installments of the weather diary series."

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Symphony for a Sinner (1979) was a long, lavishly photographed color film generally considered the magnum opus of the class productions.

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A man, his dog, and the regions they inhabited, each leaving his own distinctive mark on the landscape. Not even time can wash away the residue of what they left behind.

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A man cleanses himself after being unfaithful to his wife.

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An eccentric and alcoholic widow hosts a motley assortment of travelers - four men, three women and one gorilla - who arrive one eventful night to get out of a torrential rainstorm.

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A shady motel manager becomes obsessed with a neglected wife.

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Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

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