Maka Kotto

In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.

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Because of a motorcycle accident, a young man from the poor outskirts of Paris must find a steady job in order to avoid being sent to prison. He gets into more trouble trying to do that.

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Disturbing and violent memories haunt a man after he emerges from a lengthy coma.

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Through an Internet service, a Montreal professor arranges for himself a Mexican bride. But both husband and wife, even with their good intentions, are in for a bumpy ride toward marital harmony.

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A young Haitian (Michel Mpambara) who loves America visits his uncle (Maka Kotto) in Montreal.

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Nothing gets by Simone, even though she's blind. An adorable, incredibly precocious ten-year-old girl, Simone sets herself the task of coping with (and sometimes manipulating) the many offbeat charact... read more ers that surround her- including her broken-hearted father, an aging anarchist beekeeper, a beloved and asthmatic quasi-mother-in-law, a priest in the midst of a crisis of faith, and a biker with a wandering heart, for whom she has unconditional love. And then, of course, there's the village in which she lives, where everyone knows your business and makes it their own. No wonder Simone feels that she lives her life like a reel of film jumping in the sprockets of a projector. Life is strange and complicated enough, and then an aviator falls from the sky, threatening everything Simone loves the most.

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Lionel, a young Frenchman, who has just arrived in Cotonou, Benin, loses his car, airplane ticket and passport and his hopes in riots in the city.

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The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

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A realistic look at the horrors of the slave trade, told entirely through the voice of a dead African slave whose spirit haunts the ocean route.

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Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...

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Monsieur Naphtali is a good-natured but somewhat feeble older man turned away from the rest home where he lives. In search of a place to stay, he finds his way to Paris, where a woman taking surveys takes pity on him and brings him home for a meal and a bed for the night. Naphtali finds himself spending the evening with the survey woman, her brother who works in publishing, his lovely but unhappy wife, an alcoholic doctor, and his wife, an ill-tempered judge. In a simple and unpretentious manner, Naphtali forces them all to open up about themselves and discuss elements of their lives that they usually prefer to avoid.

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Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

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The struggle of Victor Schœlcher for the abolition of slavery in the French colonies.

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Un gars, une fille is the title of a Quebec comedy television series created by Guy A. Lepage and broadcast on Radio-Canada, as well as the title of its French adaptation on France 2. It is one of the most successful Quebec television shows, with a concept exported to more than thirty markets around the world. It is the first Québécois television program to be adapted in the United States.

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Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

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Beaumarchais the Scoundrel is a biopic film based on the life of the French playwright, financier and spy Pierre Beaumarchais depicting his activities during the American War of Independence and his authorship of the Figaro trilogy of plays.

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Lucien Hastier, known as "Lulu", is a locksmith in La Courneuve and a communist activist. He had never known his parents and had been raised by the public assistance, a notary comes to announce that his father died and left him an extraordinary inheritance: a castle, a title of duke and a royal filiation. But problems arise, the deceased duke has left heavy debts and suitors to the title.

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Dr. Pierre Sylvestre holds the position of chief resident. One day, he decides to give it all up to devote himself to working as a locum general practitioner—a job that will take him to all corners of France. He begins this new career by filling in for Dr. Raynal in a small provincial town.

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A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

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It is only a few years into the future, but the face of France has changed drastically, due to its takeover by a moralistic, hypocritical and totalitarian regime. Women with children who want to divorce their husbands are not allowed to do so, all political parties have been outlawed, smoking is illegal and everyone must work. After a spat with her boyfriend, Carole (Laure Marsac) hails a taxi, not realizing that she has done so without any of the money or identification papers she needs. Her driver (Bruno Cremer) attempts to help her, but a variety of mishaps bring her to the attention of the police, who proceed to arrest her on made-up charges and a phoney HIV-positive result on tests given at the time of arrest.

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Elle (Isabelle Gélinas) wants to make a film about African wildlife. Adrien (Eric Métayer) is obsessed with the idea of making love to Elle in a very peculiar and theatrical imaginary bedroom. Perhaps following a principle of sympathetic magic, he arranges for a crew of eccentric friends to help create the bedroom of his dreams. If one part of his dream comes true, perhaps the other one will.

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The year is 1943 and the place is Balandou, a small village in Guinea. The plot revolves around Adjutant Mariani, some kind of a misfit. Despised by his superiors, hated by his wife Marie-France, he represents colonial France while dreaming of Africa and its mysteries. When pro-independence Lanseye Kante, the new manager of the school, arrives in the village, turmoil arises.

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Idris is a young shepherd in the desert of Tunesia. One day a jeep drives by and a woman takes a picture of him; she says she's from Paris and promises to send him a copy. But when nothing arrives during the next months, Idris becomes worried. His father advises him to get his "face" back or bad things may happen to him. So he sets out to Paris... and discovers Paris as a world full of strange things and weird behavior.

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Out of the norm police officer Navarro and his team investigate the most troubling, serious and heart rendering cases in the city of Paris.

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The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.

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