Vittorio Gassman

She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.

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An Italian documentary about Italian cinema.

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A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

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A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.

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We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

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Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

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This brisk, engaging documentary surveys the life, work, and legacy of Vittorio Gassman, the Italian screen icon who began his illustrious career as a serious dramatic stage actor before going on to subvert that image in classic works of commedia all’italiana by Mario Monicelli (Big Deal on Madonna Street), Dino Risi (Il Sorpasso), and Ettore Scola (We All Loved Each Other So Much). Through a wealth of interviews, film clips, and archival footage, Sono Gassman! reveals how Gassman’s comedic screen persona cannily reflected and critiqued mid-20th-century Italian society, while shedding light on the complex inner life of the man himself.

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A portrait of the mythical Italian actor Marcello Mastroianni (1924-96), a unique performer who was one of the kings of European cinema.

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More than 150 silent short films about singers, actors and directors captured during Press Conferences in Cannes, Venice and Berlin, between 1993 and 2002. Presented the first time in 2012 (ten years after the last shooting) in Napoli Film Festival and in 2013 at the Art Institute of California in Santa Ana. An anthropological experiment on the facial expressions of famous people showing the human being aspect. All original footage from Mel Gibson to Peter Jackson, from George Lucas to Catherine Deneuve, from Michael Douglas to Giancarlo Giannini and many others.

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The life and work of master Italian filmmaker Mario Monicelli (1915-2010).

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Created by his son Leonardo, this portrait of Adolfo Celi reconstructs his personal and artistic journey between Italy and Brazil. Through interviews, film clips, testimonials, photos, and extraordinary footage from the Celi family's personal archive, we will revisit the places that shaped his life.

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documentary from 2005 offering Dino Risi reminiscing about Gassman (who appears in archival footage)

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A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

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An evening at an Italian restaurant hosted by tolerant and relaxed Flora, various middle-class parties enter – large and small, young and old, regulars and tourists, married and single – to dine, converse, argue, celebrate, make confessions; to eavesdrop, to interrupt, to sing, listen to music, and enjoy life.

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A helicopter crashes in the Sahara Desert. The entire crew are killed - only a small infant miraculously survives. Emir Tafud, who has no children of his own, brings the child up as his successor. When Ben is 25 years old he decides to set off in search of his true parents.

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A helicopter crashes in the Sahara Desert. The entire crew are killed - only a small infant miraculously survives. Emir Tafud, who has no children of his own, brings the child up as his successor. When Ben is 25 years old he decides to set off in search of his true parents. In Casablanca he meets French crook Jacquot, who takes him with him to Monte Carlo. They both actually manage to find Ben's mother Christine. She tells Ben that his father was a scientist on a secret mission to Africa. Christine wants Ben to stay in Monte Carlo and take over her firm, but Ben has his heart set on living in Belem with his adored Amina. But now Ben gradually unearths a dreadful secret: Christine's second husband François was responsible for the death of his father, who had discovered valuable minerals in the Sahara. After a bitter struggle, Ben finally succeeds in saving his homeland from Western greed.

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Two gangsters seek revenge on the state jail worker who during their stay at a youth prison sexually abused them. A sensational court hearing takes place to charge him for the crimes.

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Federico Fellini died on October 31, 1993. In the following days, his funeral chapel was set up in Cinecittà's historic Studio 5, often used by the maestro as a film set. Sergio Zavoli shot footage of his funeral, which he later edited together with archive material. The film also documents the reactions to Federico Fellini's death and funeral.

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A man enters a restaurant in Trastevere, in the suburbs of Rome, and asks the owner to cook him the superb bass he has just been given. He wants it served at the dinner gathering like every year the group of inseparable friends he is a member of. The others join him. The last to come is a lawyer who has just liquidated the succession of the one that will be missing tonight. The deceased leaves them an estate in Umbria provided they live there in community. What will the friends decide during this dinner like no other?

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The life of Abraham, the most tested servant of God and the father of Judaism, spanning from the patriarch's quest for the Promised Land to the sacrifice of his son, Isaac.

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Rather than choosing a great leader or king, God chooses Abraham, an elderly shepherd from Mesopotamia, as the way to establish his Covenant with mankind... A man of great faith, Abraham continues to believe in God even when He seems to have abandoned him.

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In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

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A funny, witty and bright biopic by the master of italian comedy Mario Monicelli about the famed italian composer Gioacchino Rossini, here portrayed in a wonderful way by famed actor and later director Sergio Castellitto.

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After eighteen years of psychiatric care, the former bank manager Augusto Scrivani returns home from his daughter-in-law Carla. Dino Risi directs a melancholy and scratchy Gassman.

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Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

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Sheherazade has been married to a ruler who wants many wives, but only one at a time. Consequently, as soon as he has bedded them, he has them put to death. In most retellings, the girl staves off this unfortunate conclusion by putting off the connubial event for a thousand and one nights, telling irresistible stories instead. In this one, she gets hold of a magic lamp.

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Carmine Bonavia wins election as the mayor of New York on a promise to legalize drugs. After the election, he marries Carrie and goes to his ancestral home of Sicily for their honeymoon. In his hotel, he meets Il Principe, a Sicilian prince who has spent years confined to the hotel because he crossed the Mafia. Amid the beauties of Sicily Carmine discovers that men of power will stop at nothing to prevent the legalization of drugs, which threatens their business.

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A businessman has trouble reuniting with his roguish con-artist uncle, especially when the uncle propositions school-age girls and comes on to his nephew's mistress.

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Before finally entering the afterlife, the dead spend a period in a limbo from which they depart only when, among the living, there is no one who remembers them. Under the care of the salacious Domenico the visitors of a small cemetery recount how they arrived at eternal peace.

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