Martín Pavlovsky

Inspired by true events. Buenos Aires, 1979. Bill Evans, the great jazz pianist, arrives in Argentina for a series of concerts. One of them is in San Nicolás, a town in the province of Buenos Aires. Evans (a heroin addict for twenty years), along with his two musicians and his manager, get into the Argentine businessman's car. On the day of the concert, they learn they will be playing during the "Miss Winter 1979" pageant. Out-of-tune piano, boxing, drugs, death, memories, whiskey, and empanadas. In a town similar to his childhood, the impossible and the true collide for Evans.

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Two socially-awkward thirty-somethings and a young con woman start a rock band that takes the Buenos Aires music scene by storm.

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Martín Negri is an environmental controller living in Bahía Blanca, whose hotspot is the city's Petrochemical Complex, located in Ingeniero White. Martín suffers workplace retaliation for refusing to be corrupted and falls ill.

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Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

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A day like any other Robert's earthly existence comes abruptly to an end. In his way to eternal life he discovers that there is no promised paradise but a cold and impersonal bureaucratic organism: his arrival comes during a system's failure and is forcefully assigned to share his new existence with "Coquito" -a misfit who attends against his eager for tranquility-, in the midst of the corseted mechanisms of the heavenly bureaucracy.

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On May 5, 1976, writer Haroldo Conti was kidnapped by the military dictatorship, which had taken over Argentina that same year. Two weeks later, the newly elected de facto president, Jorge Rafael Videla, invited several figures of national culture to a private luncheon at the Government House: Jorge Luis Borges, Ernesto Sábato, Horacio Ratti, Father Castellani, and the President's General, General Villarreal. The film narrates the historic event shared by these figures during one of the most disastrous moments in our history.

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In the spring of 2015, with her 80 years of age, Eloísa prepares to participate in a new celebration commemorating October 17, 1945. 70 years have passed since that feat of the working people. Everything is fresh in Eloísa's memory, also that night in 1944 when she became a witness to a secret meeting in the mansion where she worked as a service staff. There was Colonel Juan Domingo Perón fighting a duel with the representatives of the economic power of the time who proposed to condition his actions. Meanwhile, in the kitchen, the staff debated the current employment and political situation.

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In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.

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Two Uruguayan journalists embark on a journey of secrets, simulations, furtive encounters and paranoia when a mysterious informant contact them with the intention to reveal evidence of crimes by the military dictatorship that have never been investigated. The delivery is postponed repeatedly, patience runs out and anxiety grows, but the possibility of obtaining the information is stronger than any suspicion.

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A taxidermist living with his wife and son who suffers from a virus which is mutating himself into another being, then he meets a woman who will tragically change his life

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Pedro, an inexperienced conman, decides to rob a bank. When he tries to escape, the branch is surrounded by police. His hostage turns out to be Pablo, the husband of the daughter of the bank's owner. After Pedro and Pablo leave the crime scene, Pedro demands ransom. But the money never arrives, since Pablo's father-in-law decides not to pay and, to make matters worse, instead sends an assassin to kill off Pedro.

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Algo habrán hecho is a documentary film for television that narrates the history of Argentina. It was created by the argentine historian Felipe Pigna, who acted as presenter. In the first two seasons Mario Pergolini was a co-presenter of it, but after giving up on all works on television his role in the documentary was taken by Juan Di Natale. Di Natale and Pergolini were by that time co-presenters of the talk show Caiga quien caiga. Di Natale pointed that he wasn't meant to act as if he was Pergolini, but the script writers wrote instead the scripts based on his own personality. The first season, aired in 2005 on Canal 13, narrates the history of Argentina from the british invasions of the Río de la Plata to the fall of Juan Manuel de Rosas during the Battle of Caseros. The second season, aired in 2006 on Telefé, resumes the narration from that point and continues up to the suicide of Leandro N. Alem in 1896. The third one, aired in 2008 on Telefé, resumes as well from the end of previous season and ends with the meeting of Juan Domingo Perón and Eva Duarte at the Luna Park during a fund-raising to help after the San Juan earthquake.

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Heriberto (Matías Santoiani) dreams of becoming an actor. He wins a contest to work on a film and leaves his small town for Buenos Aires. There he meets Cynthia (Claudia Albertario), the other winner, who will be his co-star in the film, and with whom he falls in love. But the contest turns out to be a scam for pornographic purposes. This failure depresses Cynthia, and Heriberto, still in love with her, tries to help her, but she leaves him and takes his savings.

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She was working in a bridal shop in Lanús, Buenos Aires 'Til her boyfriend kicked her out in one of those crushing scenes What was she to do? Where was she to go? She was out on her fanny... So over the highway from Lanús to the Iraola's door She was there to sell makeup, but the father saw more She had style! She had flair! She was there That's how she became The Nanny! Who would've guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling, watch out Teté! And the kids are actually smiling, such joie de vivre! She's the lady in red when everybody else is wearing tan... The Flashy girl from Lanús, the nanny named Flor!

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The story of a town inhabited by vampires, located on the outskirts of Buenos Aires.

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In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

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A young man works in the port of Buenos Aires translating the love letters that prostitutes receive and seeks inspiration for his works in them.

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Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with it's 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he too has vanished.

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A woman would rather forget her husband's forced disappearance at the hands of the government.

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