Alexandra Isles

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

Open details →

This compilation of select episodes from the vintage gothic TV drama "Dark Shadows" reveals the love triangle behind Barnabas Collins' tragic transformation to an immortal creature of the night.

Open details →

The protégé of a powerful congressman discovers his boss's corruption.

Open details →

Dark Shadows is an American gothic soap opera that originally aired weekdays on the ABC television network, from June 27, 1966, to April 2, 1971. The show was created by Dan Curtis. The story bible, which was written by Art Wallace, does not mention any supernatural elements. It was unprecedented in daytime television when ghosts were introduced about six months after it began. The series became hugely popular when vampire Barnabas Collins appeared a year into its run. Dark Shadows also featured werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; indeed, as actors came and went, some characters were played by more than one actor. Major writers besides Art Wallace included Malcolm Marmorstein, Sam Hall, Gordon Russell, and Violet Welles.

Open details →

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

Open details →