Jeff Hyslop

A classic British pantomime version of the tale of Aladdin and the Lamp. The evil vizier Abanazar tries to manipulate Aladdin and his mother, Widow Twankey, into helping him acquire the magic lamp. But with the help of the Genie of the Ring, Aladdin wins through and captures the heart and hand of the Princess. Music, singing, dancing, and merriment throughout.

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Lester and Humphrey are the Royal Jester and Doctor, respectively, in a Kingdom terrorized by a mysterious giant whose presence is known only by his horrible voice and giant shadow. The giant takes the crown jewels which permit the Evil Prince Malokeo to convince the King to let him marry Princess Marigold. Marigold, horrified at the prospect and in love with Prince Daryl, turns to her friends Lester and Humphrey for help.

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As a young child, Frederic had been apprenticed to a pirate by mistake when he should have been apprenticed to a pilot. Now, having reached his 21st year, Frederic's indentures are at last over and he happily leaves the service of the pirates. When Frederic meets the beautiful Mabel, one of the many daughters (or wards in Chancery) of Major-General Stanley, they fall in love and decide to marry. However, complications arise when the pirates decide to marry the rest of the Major-General's daughters, themselves - and Frederic's birthdate turns out to be not all it seems. Filmed live from the 1985 Stratford Festival in Ontario.

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In a special TV presentation of "Today's Special," Jodie, Muffy, and Sam prepare for a live theatre performance. However, Jeff faces a problem as his magic hat won't function outside the store, preventing him from joining them. Undeterred, he sneaks into the costume box bound for the theatre. Upon arrival, Muffy is late, prompting Jodie and Sam to begin the show without her. Meanwhile, Jeff, trapped in the box, finds himself turned into a mannequin without his magic working. With Waldo the Magnificent as their only hope, Jeff's fate hangs in the balance, hoping for a miraculous rescue.

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Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

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