Shigeki Ishii

Reiko is a high class call girl employed by a large corporation. She’ll do anything necessary to help her employer land new business, including kinky sex and humiliation, to please her high class clientele. Secretly bedding rival company executives on her own time, Reiko’s world turns upside down when a former lover comes back to her for affection. The problem is he’s married! With yet another shy employee vying for her attention, Reiko gets caught in a triple tryst that could change her future forever.

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Two unmarried sisters live together. They both have careers and boyfriends. And in the end they always have each other.

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A gang of men target a manager’s daughter but kidnap the wrong woman. Her life becomes an even greater hell when they tattoo her and find they can’t even sell her off to the yakuza.

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A woman runs a “mistress service” and interviews young women for “dates” with men. Various couples get together but someone is following and watching them.

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"BLOW THE NIGHT!" Let's Spend the Night Together is a 1983 Japanese docu-drama shot on 16mm film starring actual Yanki gang members as many of the main characters.

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Goggle V must prevent Deathdark from using their new laser weapon to destroy Tokyo. This movie takes place some time between episodes 8 and 14 of the Goggle V TV series.

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Warriors were chosen to battle the Dark Science Empire Death Dark. They fight using Future Science and their weapons are inspired by gymnastics apparatus.

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In a night painted with raw, incendiary desire, the story follows Shuhei as he slips from a morbid funeral into a world pulsing with illicit passions. At the seductive bar "EDEN," sultry whispers and heady intoxication set the stage for heated encounters—moments charged with forbidden attraction. An awkward, yet intensely charged reunion with his estranged brother in a steamy hotel room sparks a domino effect of erotic interludes, igniting wild nights at a pulsating disco and secret rendezvous at a coastal villa. Here, simmering rivalries and envious longings flare into explosive encounters, culminating in a searing, tumultuous climax where the boundaries between lust and violence vanish in a frenzy of physical, unrestrained ecstasy.

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Pink film from Toei Central.

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In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.

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