Ted Willis

Boney is an Australian television series produced by Fauna Productions during 1971 and 1972, featuring James Laurenson in the title role of Detective Inspector Napoleon Bonaparte. Two series, each of thirteen episodes were filmed. The series is centred on Bonaparte, a half-Australian Aboriginal character, created by Arthur Upfield, who wrote twenty nine novels about him from 1929 until his death in 1964.

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Coppers End is a police station where the policemen work very hard to avoid work. A crime would involve them filling in forms, making out reports and, heaven forbid, giving evidence in court.

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An anthology series with the premise that there is a story behind every door.

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Weekly drama about four brothers who are all lawyers, but specialise in different kinds of work, who discuss points of law and questions of ethics in terms accessible to the viewer.

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A quartet of Saturday night plays following the life of indomitable working-class Cockney woman Rosie Carr from the Edwardian era to 1960.

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Taxi! is a BBC television comedy-drama series transmitted in 1963 and 1964. Created by Ted Willis, who had developed Dixon of Dock Green, he was well aware of taxicab drivers inclination to provide stories, and intended twelve individual plays for what became the first series. The series stars Sid James as Cab firm owner and driver Sid Stone. Similar to his role in the near contemporary film Carry On Cabby, this was more a drama with humour, Jack Rosenthal scripted a few episodes and Bill Owen appeared as the Cab firm's co-owner Fred Cudell with Ray Brooks as driver Terry Mills.

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Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

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A pretty young woman will do anything to escape her deadly dull existence in the backlots of Wales. But when she reaches the bright lights of London is the price too high?

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American students are having a difficult time at a prestigious English riding school. Dinah Wilcox is overly cautious because of memories of an accident, but Danny Grant gives her confidence. The strict, but admired, instructor fears she must sell her favorite horse because of school tradition, but the students end up taking up a collection to buy it back for her.

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Domestic difficulties develop in a working-class family when their daughter falls in love with a Jamaican man.

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Aboard a BOAC plane departing an unnamed Iron Curtain country, a stowaway has convinced a flight attendant to conceal him so he can defect on arrival in London. However, a high-ranking secret police officer posing as a passenger informs her that the man she's protecting is not wanted for his politics; actually, he is a murderer.

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Based on the play by Ted Willis, the film is set in the years just before World War II, when England hadn't completely dug itself out of the worldwide depression. Melvyn Hayes is featured as an aimless teenager, who tries to escape his squalid surroundings by entering a life of crime. He falls in with local hoodlum Herbert Lom, who holds the rest of the slum citizens in the grip of fear including Hayes' own family. No Trees in the Street chronicles Hayes' sordid progress from nickel-and-dime thefts to murder.

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Jacko, a respected union man, is fighting for the promotion of a Jamaican colleague to chargehand, but when his daughter brings home her black boyfriend, he realises that racial prejudice is rife within his own home. This powerful drama exposes the deep-seated racial tensions hidden in British family life during the late 1950s. Written for the stage by Unity Theatre's Ted Willis, this television recording was filmed a few weeks after the play's successful West End run, and most of the stage cast repeat their roles here, including the terrific John Slater, Andree Melly and Lloyd Reckord. The drama's interracial kiss is probably the first to be shown on British TV.

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Parents veto the romance of two high-school students, forcing them to meet in secret.

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A married, middle-aged woman is shocked to discover that her husband, who she thought was content in their marriage, has become infatuated with a beautiful younger woman and is planning to leave his family for her.

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IT’S GREAT TO A YOUNG stars John Mills as Dingle an easygoing high school teacher. When autocratic new headmaster Frome (Cecil Parker) begins imposing all sorts of repressive rules, Dingle does his best to stand up for his students, only to be dismissed for his troubles. The kids conspire to not only reinstate their favourite teacher, but to circumvent Frome's refusal to purchase new instruments for an upcoming music festival.

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Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

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Dixon of Dock Green was a BBC television series following the activities of police officers at a fictional Metropolitan Police station in the East End of London from 1955 to 1976. Some episodes were later remade as a BBC radio series in 2005 and 2006.

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Norman is the oldest orphan at Greenwood Children's Home and now acts as their caretaker. All the orphans are very happy and well cared for. The adventures start when a nasty property developer who is also the chairman of the orphanage board wants to close the orphanage and build a factory on the site. The children are sent to Brighton for the day and Norman is very excited because he's "Never seen the Sea". When they get back they discover the plan to close the orphanage and have to decide what to do

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Duncan Lamont plays Jane Hylton's jealous husband. In a confrontation, Lamont accidentally shoots Hylton's lover. Convinced that he's a murderer, he heads for the hills as a police hunt begins... Classic British thriller from the creator of Dixon Of Dock Green.

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Norman is working in the stock room of a large London department store, but he has ambition (doesn't he always !!), he wants to be a window dresser making up the public displays. Whilst trying to fulfill his ambition, he falls in love (doesn't he always !!), with one of the shopgirls. Together they discover a plot to rob the store and, somehow, manage to foil the robbers.

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After being framed for a murder he didn't commit, Tom Penney (Donald Houston) serves his time and returns to his rural English home to establish a quiet life. When another victim is found, however, Tom is blamed for the crime and flees rather than returnng to prison. Hoping to find the real killer -- or killers -- Tom investigates while keeping a low profile to elude his pursuers, and a vital clue leads him on the path to possible redemption.

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A mystery thriller intended for US TV.

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Looking at how soldiers injured and disabled during WWII would be helped to live as normal a life as possible in the post war years.

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P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.

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The lives of the members of a West Yorkshire cycling club are complicated by romantic entanglements and a series of bike thefts.

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Life is not going well for the Huggetts. Father has lost his job. Jimmy and his wife cannot get to South Africa where he has a new job. So the family decide that they should go to South Africa by truck. With their travelling companion they travel across the desert which includes a brush with the law.

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Sent to a home for "problem" girls, incipient juvenile delinquent Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.

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