María Rubio

Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of ​​having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.

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Laberintos de pasión is a Mexican telenovela produced by Televisa in 1999. Starring Leticia Calderon, Francisco Gattorno, César Évora, in addition to the participation of Manuel Ojeda, Monika Sanchez and Azela Robinson.

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En un lejano pasado donde las injusticias son pan de cada día, Rodolfo Farnesio, vil señor feudal, se dispone a exigir su "derecho a la pernada" sobre una campesina y para eso irrumpe en la boda de la muchacha. Pero sus planes son interrumpidos por la llegada del noble Renzo el Gitano. Pronto Renzo se verá obligado a defender a otra víctima de Farnesio. Se trata de la Condesa Adriana de Astolfi que está siendo forzada a casarse con el villano. Para deshacerse del gitano, Rodolfo lo acusa de un crimen que no ha cometido y hace que lo deporten a la Isla de los Condenados, una infecta isla-prisión. Allá lo sigue Adriana, que bajo la personalidad de "Luna" podrá amarlo libremente. Pero nuevamente, Rodolfo se interpone y los separa. Adriana, ahora amnésica, se convertirá en la esposa de Rodolfo. Tendrá que regresar Renzo, bajo otra identidad, para rescatarla de Rodolfo y de la ex tabernera Isa Valenti quien, a base de chantajes, se ha convertido en la cuñada de Adriana.

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Four raw stories about justice and law.

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Amada Enemiga is 1997 Mexican telenovela, starring Dominika Paleta, Susana Dosamantes and Enrique Ibáñez. It was produced by Televisa. This telenovela contained 80 episodes.

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Imperio de Cristal is a Mexican telenovela that aired on Televisa in 1994 with 124-episode from the plot to the main cast it was officially first launched on Monday, 29 August 1994 & ceased transmission on Friday, 17 February 1995 was aired runtime of 45-minutes with commercial on weekday at 21:00 to 22:00 CST/22:00 to 23:00 MST/23:00 to 00:00 PST.

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Film about child trafficking in México.

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Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57

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Mexican revenge horror.

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Mexican feature film

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Cuna de lobos is a Mexican soap opera produced by Televisa and broadcast by Canal de las Estrellas in 1986 to 1987. The serial, about the struggle for power within a wealthy Mexican dynasty, was enormously popular in its native Mexico. It was also a hit in several foreign countries, including the United States, Germany and Australia. The soap opera starring antagonistically María Rubio as the main villain interpreting the evil "Catalina Creel", with Gonzalo Vega, Diana Bracho, Alejandro Camacho and Rebecca Jones.

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Valencia, 1955. A down-on-her-luck spinster poisons her friend and employers out of envy.

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In 1939, in a French prison camp, José Garcés of the defeated Spanish Republican army raises the spirits of his fellow prisoners by telling the story of the year he was 8 years old, 1911, in a small town in northeastern Spain. He was a rascal, baffling his father, always in trouble, and in love with Valentina, a neighbor girl. On his roof top at night he sends semaphore messages to her. He writes poems. He gets them into trouble, killing her father's breeding pigeons. When the two families camp at a decaying castle, his tutor, a sympathetic priest, tells him about the most valiant men, the saints, the heroes, and the poets. Already a poet, he learns a lesson about being a hero.

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The plot follows a private detective, an ex communist and former CIA agent, who travels from Barcelona to Madrid to discover the identity of the assassin of the leader of the Spanish Communist party who was stabbed during a blackout while presiding over a meeting of the party's central committee. The film is a thriller with ironic political overtones.

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A writer, a professional journalist currently working for his father-in-law's company, has a bad relationship with his wife and is dumped by her. He then decides to return to his real profession and moves to a new city. While there, he begins a relationship with a young woman...

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A young woman visits Dr. Alberto Limonta seeking an abortion because she does not want to have the child, but the doctor attempts to dissuade her by telling her a story. It is the story of the Del Junco family—one of the wealthiest in the city of Veracruz—comprising Don Rafael, the strict patriarch; his devoted wife, Clemencia; and their daughters, María Elena and Matilde, who are in the care of their Black nanny, María Dolores.

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After being released from a mental asylum, a disfigured man becomes obsessed with a student at his sister’s boarding school while grappling with his dark past.

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A rural Colombian village is attacked by a horrible sea serpent, aroused by industrial pollution of a nearby lake. Based on a real event that took place in June of 1971.

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Through various episodes we are shown sexual repression and desire at the same time, in the Spanish of yesteryear.

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The story follows Rina, a young hunchback who sells flowers to support her father and siblings after being abandoned by her mother. One day, while selling her flowers, she is beckoned from a window by Leopoldo—a wealthy, elderly, bitter, and invalid man—who manipulates her into marrying him because he refuses to leave his inheritance to his sister-in-law, Rafaela. Rina agrees to the marriage due to financial hardship. Shortly thereafter, Leopoldo dies, and Rina inherits a vast fortune. She undergoes surgery to correct her hunchback and transforms into a beautiful woman. Unwilling to accept the loss of the inheritance, Rafaela devises a scheme with the help of her son, Carlos Augusto, who has recently been widowed.

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Given the proximity of death, the experiences of the past come to the memory of Juan. In a fragmented, sometimes confused way, Juan relives the crucial moments of his life, always linked to the names of women. Moments that remind him of having missed numerous opportunities to be happy.

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A student-movement leftist becomes a nun and absorbs lots of deep, deep TV-movie spiritual lessons about God's glorious plan.

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Mexican feature film

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