Martina Hall

With 2015 marking the 100th anniversary of the first British policewoman being given the power of arrest, this film takes us through the remarkable history of 100 years of Britain's female police force. It explores the individual careers and ambitions of women police officers who, through their bravery and guile, were determined to succeed in a profession that never wanted them. It is a story about ingenuity and determination as well as law and order. A Fair Cop is a hidden history of our society, depicting a battle of the sexes that masked a battle for power.

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William Courtenay's color film of the pacific campaign and Japan's downfall.

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The British invented them for the world, and they have been described as 'the lungs of the city - historian Dan Cruickshank reveals the history of our public parks.

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In a programme broadcast 70 years to the day after the outbreak of WWII, people who were alive at the time speak of their memories.

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Poet, singer, songwriter, lover of women, Buddhist monk, at the age of 70, Leonard Cohen continues to fascinate his fans both old and new. Since his mid-50s his reputation has risen steadily, and he continues to give pleasure to the million or so people who buy his records.

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Father and son historians Peter and Dan Snow go through every major battle fought on British land, sea, and air from the ancient Romans to the Battle of Britain using state-of-the-art graphics.

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Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.

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Conducted in 2016, this interview with actor M’Bissine Thérèse Diop covers her lead role in 'Black Girl'.

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With 2015 marking the 100th anniversary of the first British policewoman being given the power of arrest, this film takes us through the remarkable history of 100 years of Britain's female police force. It explores the individual careers and ambitions of women police officers who, through their bravery and guile, were determined to succeed in a profession that never wanted them. It is a story about ingenuity and determination as well as law and order. A Fair Cop is a hidden history of our society, depicting a battle of the sexes that masked a battle for power.

Open details →

The British invented them for the world, and they have been described as 'the lungs of the city - historian Dan Cruickshank reveals the history of our public parks.

Open details →

Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.

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