Mária Mezei

The dramatically dense film takes place in workers' surrounding in the sixties. It raises the newspaper article serving as the basis for the short story to be a model: in a plastic factory fire breaks out causing enormous damages.

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The young engineer and the pretty economist of a commercial company, on assignment in the country together, after having consumed quite a few glasses of brandy, wake up in bed together. As both live a happy family life, they wish to forget their passing adventure, but gossiping starts up around them.

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Captain Kovács investigates the case of a taxi driver who was knocked down and later he disappeared without leaving a trace. Responding the call of the police six women present themselves: they all confess to be the fiancée of the driver.

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Klári, the dancer of the ice revue, is pursued by a mysterious admirer and his roses. Her husband, Rezső, is about to lose his wits with jealousy.

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Lovely young maid Anna works for the noble Vizy family. Mrs Vizy, while proud of the hard-working servant, doesn't treat her well. Her nephew seduces Anna with sweet words, but abandons her as soon as she gets pregnant.

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Life is on in the old house of Vizváros. Kids play on the ground. The adopted son of the janitor, Matyi, is hopelessly in love with Juli. He would like to emigrate to America with her. She prefers Janó, the driver, a great womaniser.

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This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

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The war is over, but the Bodog family is starving. Varg's neighbor takes Mihai Bodog with him to do restoration work. They are well paid for this work and Mihai can finally please his wife Erji and their young son. When the workers are later hired to build a bridge, Bodog, a specialist bridge builder, cannot resist the challenge and is hired. But this time the workers are delayed in paying their wages, so their family is once again in need. Erji is forced to look for work...

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At Christmas Eve in 1944 the runaway Pintér and Gozsó get through the Soviet blockade around Budapest. Pintér intends to hide in a flat abandoned by his own relatives, but he finds his relatives called the Turnovszkys, who are hiding the Jewish Jutka as well. Love unfolds between Zoltán and Jutka.

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After a 15-year absence, the famous actress' expatriate husband returns to Hungary to settle their divorce. The actress is rehearsing the role of a young boy back home when her husband walks in. Seeing the little boy, the husband thinks that Janika is his child, but the actress fails to inform him of the mistake.

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Miklós is a young, talented and thoughtful architect who is all about his work. He doesn't loiter or run after women, but he is also eager to have a happy family. When it comes to building a new villa, he falls madly in love with the future owner, Klara. She is also attracted to him, but Klara is already a bride and can't decide what she wants. In this impossible situation, Miklós seeks solace in a singer, Lola, despite his love for Klárit. Lola feels this too, and wants to attract him by any means possible...

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Kovács, chief cashier, is celebrating the 30th anniversary of his school-leaving exams at the grammar-school. He takes his friends to a night-club.

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Joseph II and his adjutant, Kléber travel to Transylvania in disguise.

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Copfos, a milliner working at Annie's, a downtown millinery, is the object of popular despise and mockery. On one day she becomes the inheritor of $650 000.

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Az Aranyember (The Man of Gold) was based on a novel by Jokai, at one time Hungary's foremost storyteller. Set in the early 19th century, the story revolves around Timar (Ferenc Kiss), a ferryman on a Danish tugboat. Rescuing the daughter (Marisa Kormos) of a Turkish nobleman from a watery grave, Timar is rewarded with the girl's hand in marriage. Now rich beyond his wildest dreams, our hero finds he is unsatisfied; it seems he has never forgotten his true love, flower girl Noemi (Anna Fuzes). Timar is forced to suffer mightily until he is finally permitted a tender reunion with the girl of his dreams.

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