Aparna Sen

An elderly couple in their 70s revisit the regrets, heartbreaks, longing and acceptance in their five-decade-long marriage, all in one poignant night at their hillside retreat.

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Documentary on Aparna Sen's life.

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The film follows Mrinal Sen in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

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A biographical documentary film about the legendary Indian filmmaker Satyajit Ray, to commemorate Ray's centenary year. The film covers Ray's life and early works, focusing on the making of his first film Pather Panchali.

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Salim Khan (Soumitra Chatterjee) and Madhuri (Aparna Sen) meet after a long separation. Their lives have changed a lot since they knew each other in college. Will they be able to relive the years gone by?

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As an elderly couple prepare to celebrate their 50th anniversary, their family begins to gather at their once magnificent mansion. Relatives, both young and old, reminisce about the family's history, bringing long-buried secrets to the surface.

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Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate was affected by syphilis and was taken to Darjeeling for treatment. He apparently died in Darjeeling and was cremated there. After 12 years, a Sanyasi shows up at the estate, arousing people’s curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.

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An insight into the life of late writer-director Rituparno Ghosh, the iconic cultural figure from West Bengal (India), who pushed and transgressed the boundaries of sexuality, feminism, and freedom of thought. The film is about an artist's relationship to his city Calcutta and is based on his personal memoirs, archival material, and conversations with cast, crew, and family.

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Three single women, a professor, a banker, and a journalist, who are best friends, share their happy and joyous moments and support each other through hard times.

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Life for a shy young Indian student slowly falls to pieces during a family road trip.

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The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.

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Four famous directors and old friends are reunited together by an unknown producer to make a film. They have to make four short story in this film with one common theme: Death.

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An award-winning aging actress reflects on her life while writing a suicide note.

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Arun, a famous Bengali actor, approves Shuvobrata's proposal of remaking Satyajit Ray's famous film 'Nayak'. Problems arise when Shuvobrata requests his live-in girlfriend Shrin to act opposite Arun.

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Antaheen follows the lives of three couples in tumultous relationships, who lead different lives but are connected by the infinite struggles and pain each of them goes through.

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While Northern India’s 100-year-old film industry is best known for flamboyant dance sequences and romantic plot lines, its directors have begun to step outside established formulas and explore grittier subject matter. This program surveys the world of Bollywood filmmaking, examining the personalities as well as the commercial and thematic concerns that drive central Asia’s answer to Tinseltown. Interviews with directors Karan Johar, Ashutosh Gowariker, and Yash Chopra are included, along with commentary from choreographers, musical directors, and Cinemaya Magazine editor Aruna Vasudev. The industry’s newfound attention to poverty, homelessness, and other social concerns is examined. Several film excerpts are included.

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A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.

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Krishna Patil is a poor, unemployed, unsuccessful and short tempered youth who stays in a chawl with his father Ramakant and elder sister Mansi. He tries to secure a job in the police department but fails. One day he happens to meet Kavita Choudhary, a young, rich, beautiful, intelligent lawyer. He falls for her instantly and begins wooing her. Kavita, having recently lost her father, stays alone and feels lonely and depressed. There is a certain void in her life. She is looking for someone to share her loneliness and an unemployed Krishna suits her requirements perfectly. Hence she accepts him as her boyfriend despite his mediocre looks, poor family background, jobless status and lack of personal hygiene.

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Sanaka and Paromita are mother and daughter-in-law who, despite differences in age, backgrounds and temperaments, build a strong bond together. However when Paromita has a failed marriage and leaves the house, Sanaka is heartbroken.

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Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.

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A female dancer becomes famous but loses her relationship with her daughter on the way.

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Amodini is a rich landowner's daughter. Unable to face social stigma, her father arranges her marriage to a much older person, who fails to turn up on the wedding day. To save the situation, she is forced to marry a 15-year-old boy.

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After her husband passes away at a regressive Shyambazar household, progressive Bandana falls in love with her son's painting mentor, Sudipto Sorcar. However, due to Titli Chatterjee's mother's objection, Bandana gives up on her love and starts living at the orphanage.

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Jamuna Bai is the daughter of a famous courtesan named Kamala Bai who was known in Benaras for dance. Although Jamuna had learnt music from her childhood, she was never willing to pursue her mother's profession. This led to the mother-daughter duo suffer from poverty and affront from commoners. Chandrakanta, a rich businessman sees Jamuna and falls in love with her. After a few meetings Jamuna starts liking him too. One day Jamuna finds a desolate boy child on the banks of the river and decides to raise him. Chandrakanta stands beside her when the society blames her for the act. They get married. However Jamuna stays back at Benaras and faces extreme hardships to raise the kid and is forced to step into her mother's shoes. This leads to a confront between her and Chandrakanta who leaves her and goes away. Jamuna leaves her kid with her guruji and starts living apart for the fear of her kid knowing her identity.

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When the elderly mother of a Kolkata middle-class family commits suicide, no one has the courage to read the old woman's diary. When the eldest son returns from Germany, his anxious questioning brings to light the disorientation experienced by the family and the way world history penetrates into the fabric of individual lives.

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Shasanka is a retired teacher who lives with his wife and two daughters. The family is thrown into an uproar after he goes out for a walk and disappears from their lives. Each member of the family reviews her final hours and days with him to try and discover what, if anything led to his disappearance.

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A well-to-do married couple keeps bickering over minor issues though the pair love each other. With time, their love gets tested but they keep yearning for each other.

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Sudipa falls in love with Rawnobir, a goon, and soon, they both get married. However, things take a turn when Rawnobir is arrested and gets imprisoned.

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The movie portrays the social stigma for widows in the late 17th century that was prevalent in India. The plot line runs through many layers of complications both in Devika's personal life and her place in society, as she fights with her family, quarrels and distances herself from Kishore, marries another man under social pressures and much more. The movie makes the point that instead of behaving like meek sheep under social influences, we must understand every individual's perspective from our own point of view. The movie ends on a happy note where Kishore and Devika both stand against the blind and illogical superstitious mentality and are finally reunited.

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Chandra realizes her husband is having an affair with Modhu. She leaves home and is offered a job by the wealthy Shyam, who soon realises her good nature and makes her the heir to his property.

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The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.

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A landlord develops feelings for Kunda but is unable to marry her since he is married to Suryamukhi. Eventually, Kunda marries Suryamukhi's brother, who turns out to be an alcoholic.

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Overview NA.

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Indira marries Upendranath Maitra at a young age, but as per her father's wish, she stays back with father for a period. She gets attacked by some robbers while returning to her husband's place.

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The film documents one of the largest Indian religious fairs, the Kumbh Mela, which is held at the confluence of the rivers Ganges, Yamuna and Saraswati. The action is seen through the eyes of Shubhendu Chatterjee who has come to the Mela not out of any religious sentiment but to see and understand people and seek the reason why “….multitudes upon multitudes of the old and weak and the young and frail enter without hesitation or complaint upon such incredible journeys and endure the resultant miseries without repining.” (Mark Twain after visiting the 1895 Mela)

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The story of a poverty-stricken family, one of the countless fringe dwellers in India's slums. A man tries to earn some money by selling aborted fetuses to medical institutes.

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Naina, a criminal psychology professor, is sexually assaulted in a slum she visits to help the daughter of a school custodian embroiled in a case of domestic violence and infanticide.

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Ghawre Bairey Aaj is inspired by Rabindranath Tagore's novel 'Ghawre Bairey' (Home and the World) and is a contemporary retelling of love triangle involving Tagore's characters Nikhilesh, Sandip and Bimala.

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Three single women, a professor, a banker, and a journalist, who are best friends, share their happy and joyous moments and support each other through hard times.

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Arshinagar is a Bengali musical romance drama film directed by Aparna Sen. The screenplay is an adaptation of Shakespeare's Romeo and Juliet.

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Story of a couple on the second night of their wedding and how things unfurl in their lives.

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Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.

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An award-winning aging actress reflects on her life while writing a suicide note.

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Snehmoy and Miyage are pen friends who exchange wedding vows through letters. Fifteen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya, comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too. But Snehmoy remained loyal to his unseen Japanese wife.

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An exploration of the impact of schizophrenia on a young woman and her family in today's Calcutta.

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Mrs. Iyer and her infant son are traveling to Kolkata with the help of photographer Rajah. When religious tensions flare up and the bus travelers become stranded under martial law, she makes a choice to save him that entwines their lives.

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Sanaka and Paromita are mother and daughter-in-law who, despite differences in age, backgrounds and temperaments, build a strong bond together. However when Paromita has a failed marriage and leaves the house, Sanaka is heartbroken.

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Deepak and Anasuya are an estranged couple, now leading separate lives in Cuttack and Bombay. They meet again after 18 months of separation, at a small fishing village where they had once honeymooned.

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Uma, a mute Brahmin girl, lives with her uncle's family as she is an orphan. Since Uma has a faulty horoscope which indicate widowhood, the family finds it impossible to get her married off. According to a custom prevalent at the time, Uma is given in marriage to a tree.

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The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.

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After the marriage of her niece, an Anglo-Indian school-teacher, Violet Stoneham, lives a lonely life in her single room flat located at 36 Chowringhee Lane in Calcutta. When a former student starts visiting her with her boyfriend, Violet welcomes them eagerly.

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