Hikmet Karagöz

The love story of Zuleyha, ​​who grew up without a father and works with Yilmaz as an auxiliary weaver in order to earn money for her brother, a gambler. The lives of these two young people blinded by the love of one ordinary night will turn into a dark nightmare. This nightmare will take them first from Istanbul and far away, and later to the estate of the Yaman family. In the first episode of the series, Yilmaz and Zuleyha set out to work on the Yaman estate. However, because of one of Zuleyha's lies - the lives of all of them will change radically.

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Tas (Rock) is a film that presents a cross-section of the life of a family living a hard life in the countryside. It is a touch of sadness in the life of people living in nature- even as a part of it. And that life is nothing more than the waiting of a woman and man who lost their son. After waiting for many years, the family tries to get rid of the uncertainty by believing that the wounded man they found at the door is Selim (Ahmet Varli), their son.

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Ejder specialized in gravedigging in Germany, where he went to work in order to build a new life. He earns his living through this profession. However, Ejder's life in Germany is shaken by the death of his father. Upon returning to his hometown of Dalaman Şerefler Village, Ejder encounters the million-dollar living spaces created by both locals and foreigners in the village and decides to use his expertise in funeral services to make money. Guided by the philosophy that "a lion is known by its lair," Ejder sets out to offer the deceased wealthy individuals a resting place under olive trees, symbolizing immortality, instead of the village cemetery. As Ejder begins designing personalized graves with the slogan, "Horizontal burial—something that will be with you even after death," his business starts to thrive. However, the traumatic story of Bektaş, who recently settled in the town, will deeply affect Ejder...

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Ali Kemal and Vahi, two childhood friends striving to realize their dreams, aim to make a Yeşilçam film. Although the two friends, who devoted themselves to their work during Yeşilçam's most dynamic and popular period, thought their task would be easy, as they became more familiar with the industry, they realized that it was a much more complex and large-scale system.

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Bünyamin is a character from new book of Hayal and one day he suddenly shows up in real life. Hayal tries to prove that he is not real.

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Dr. Efruz has the ability to remember every face he sees. On the eve of his long-delayed honeymoon with his wife of 25 years, he encounters someone who will turn his life upside down. For the first time in his life, Efruz cannot remember whose face he knows.

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Yalçın and Bahadır are two close friends with contrasting personalities. However, Yalçın's unexpected death painfully separates the two friends. One day, Bahadır, who misses Yalçın's crazy antics, hears a knock on his door. He finds himself face to face with the ghost of his crazy friend Yalçın, whose death he mourns deeply! Moreover, he is not alone; he is accompanied by an Italian trapeze artist named Bernardo. Yalçın is stuck in limbo because he failed to keep a promise, and the only person who can help him fulfill that promise is his close friend Bahadır. Yalçın must fulfill his promise within three days, as this is the only way he can find peace. Meanwhile, Bahadır tries to help him but ends up getting into trouble. Additionally, his platonic love for Demet, whom he works with but can’t bring himself to confess his feelings to, adds another layer of complexity to his adventure.

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In a small village, young Mert is about to get traditionally circumcised, but the family does not have the money to follow up with the circumcision celebration. The family wants to be able to serve lamb meat to the guests at the celebration. Mert’s older sister scares him that if they cannot afford a lamb the father will slaughter him instead.

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Story of a man who is suffering because of a crime and trying to escape of his suffering.

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A trained prosecutor and an ignorant villager have to help each other out in prison conditions.

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Necati is a 33 year old man who's passionate for cinema. He has lost his mother just after he was born and his father is an odd fisherman nicknamed "Newton". Necati's biggest dream is to complete his film "Gravity Zero" which he endeavors to shoot by using a home camera and show it to an audience on a cinema screen. The film he presented as "an experimental picture that will rock Europe" runs on no script nor does it incorporate any professional actors. Unexpected circumstances come to life when Necati is on the verge of realizing his dream will leave him alone in the midst of a Mafia pay-off and give birth to results that will affect the lives of the people around him.

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After the apparent death of his girlfriend, Mehmet Sadoglu is encouraged by his parents to marry Gümüs, a simple girl...

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A retired teacher who returns to Istanbul after years away, Nazim tries to reacquaint himself with his hometown, which has changed significantly. While waiting for his pension to begin, Nazim takes a temporary job as a taxi driver and frequently ends up in the seedier parts of the city. …

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The bus driver who has been working on the same line for years has retired. Therefore, the people of the district will meet with Lütfü, a new driver. Lütfü who tries to get used to the district is in a contention with Sadenaz, who grows on the end of the bus every morning. Although the bus's departure time has already passed, this sympathetic girl runs on the bus like a storm, before Lütfü's annoyance. However, in the course of time, a friendship between Sadenaz and Lütfü is formed. Lütfü does not move every morning before Sadenaz arrives. One day, grace runs the timepiece to measure the speed of the Sadenaz. The speed of the Sadenaz corresponds to a speed that national athletes can run. The idea of ​​being a runner for Sadenaz who loves running is interesting. Because it is possible to draw the attention of Berk in this way.

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A look into relationships in a neighborhood in Istanbul.

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Yusuf Miroğlu and Zeynep travel to Diyarbakır in southeast Turkey to attend his best friend Cemal's wedding. While performing the traditional halay dance at the wedding, Cemal is killed by an assassin. Cemal's widowed wife Leyla pleads Yusuf to find the people behind the murder and bring them to justice. Yusuf finds himself caught in a struggle against the PKK and other terrorist groups in the area.

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When Olcay's husband commits suicide and leaves a huge debt behind, Olcay and her teenage daughter, Duru, are forced to move to a slum in Istanbul. They find themselves financially dependent on Olcay's only remaining friend, so Olcay starts to look for a job. Without any degree or experience, she tries to survive doing all sorts of odd jobs. Meanwhile, her neighbors, who are completely different from the people in Olcay's old world, begin to get to like the mother and daughter. Some even fall in love.

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The story revolves around the beautiful Nazan, the neighbor's daughter, who manages to remain a virgin despite marrying two of the neighborhood's handsome men, Selami and Cavit; the fierce competition between Selami and Cavit for Nazan; the schemes orchestrated by Nazan's mother, Necla; and the neighbors' curious observation of these intriguing developments, their astonishment, and their simple reactions. Nazan's mother Necla's schemes; the neighbors' curious observation of these intriguing developments, their astonishment, and the sudden media attention their simple lives receive, all told in a humorous tone.

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This movie is about Deniz Gezmis and his two comrades. They were three revolutionary activist has been executed by military fascist junta in 1972.

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Hulya is a young Turkish woman torn between two cultures. Forced to live with her uncle in Turkey, she leaves this house: she wants to return to Germany where she lived with her father and went to school, not so long ago.

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After 17 years as a laborer in Germany, Mehmet is deported and his wife and son remain in Germany. Unable to come back legally, Mehmet embarks on a long and dangerous journey to return to Germany illegally.

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A triptych of literary adaptations explores past, present and future in rural Turkey. “Düne Özlem” (from Hulki Aktunç’s Bir Yergöstericinin Hayatı): A once-famed traveling critic returns after years to the cinema that launched his career—and finds it unrecognizably transformed. “Bugüne Özlem” (from Kemal Tahir’s Arabacı): A horse-drawn cart driver picks up two stranger women en route to a village—unaware they intend to marry him off to their spinster relative. “Yarına Özlem” (from Zeyyat Selimoğlu’s Bıldırcınlar): An old captain haunted by a fatal shipwreck readies quail-hunting with his grandson, even as his daughter-in-law waits in vain for her migrant husband to return from Germany. Each segment poignantly probes longing— for what was, what is, and what might yet come.

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