Ami Priyono

About hard life in Jakarta City.

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Anna is a private tutor for Frans' two children who have just lost their mother. The mistress of the house died from being poisoned by Renita, her own younger sister. There she was seduced by Danny, Frans' brother-in-law who she initially rejected. However, love began to grow when Danny moved to Jakarta. Unfortunately, their letters were hijacked by Renita. Then there was also a declaration of love from Frans who eventually also died from Renita's poison.

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Anton is a student leader at his campus. His friends expect him to face the despotism of their lecturer, Yusnita. Anton takes this challenge without considering the risk of falling in love with Yusnita, their biggest enemy.

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Adapted from a popular novel with the same title, Karmila tells a story about a medical student who becomes pregnant after sexually assaulted at a party.

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Like the film’s title, Parody of the Capital resembles a sketch of the community. Oom Pasikom, a cab driver, is stingy because of his measly income. Conversely, his wife moves within the high social circle and is a spendthrift due to her business as jewelry broker. Through Oom Pasikom’s glasses, small stories of the city are told - the ladies’ social gathering, lonely wives, the cleaning of the city and how it affects the small businesses, a student who is writing her thesis and so on.

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Egy’s wife, Cece, controls him in all matters including office work and home affairs. Furthermore, Egy is also under the control of his brother-in-law, Yudho. For the sake of a big project, Egy, is ordered to approach Eya, the mistress of a powerful official. His proximity with Eya makes Cece jealous, but also makes Egy realise that his in-law’s business is not environment-friendly. He begins to rebel and stops being a puppet. He reclaims his rights as a husband back.

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Astri’s mother demands angrily for a porn-video cassette that embarrasses the son-in-law Dedi, and the two grandchildren. Mother also gossips with the neighbours and even protests by not eating. To cap it all, she wants to marry Item, the blind masseur whom she often hires. She is actually seeking attention and therefore wants to remarry. In desperation, she even runs away from home. Her daughter, son-in-law, and grandchildren miss her. In the end, she returns, and her daughter and son-in-law finally agree to her demands. All the acts and behaviour of the mother are comedy moments in the film.

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The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

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Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.

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Dadang's family, which has three sons, accepted Bugi to stay at his house. Bugi, Dadang's younger brother, whose parents both died. Bugi's appearance and boyishness have become the subject of ridicule for many people, both at school and in social circles. Even at home, Narsih, Dadang's wife, teases and cynics Bugi. A math and sports teacher, Zein, has another attitude toward Bugi. Zein tries to change Bugi's behavior. But other teachers, Bugi friends, and Bugi themselves misinterpreted. As a result, Zein was uncomfortable and uncomfortable, then tried to stay away from Bugi. As a result, Bugi lost his footing, a place to complain and take cover. Meanwhile, Iwan, one of Dadang's children who has low self-esteem as a result of being a child because of his mother's mistakes, feels attracted to Bugi.

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The story of a man who attempts to make his body anti-lightning and succeeded. This success interest the drug syndicate who later kidnaps him to make heroin concoction. The mastermind turns out to be a friend of the man. The man determines to defeat them all.

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An ambassador’s family returns to Indonesia, but they are having difficulties in readjusting themselves. Rani longs for her husband to return, while the ambassador is always recalling his glory days. Tony is drunk all the time and dreams of being a terrorist but is too scared as the image of his mother being shot keeps flashing back in his mind. The third child, Yenni, is the sanest of them all but she lives like a nurse in a mental institution. Then Taslim arrives to assist them but he actually only wants to be a hotel staff. At the end, every member of the family wakes up and are finally able to face reality.

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Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

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Christina has to deal with a corrupt bank president father, a cutthroat and backstabbing sister, an unfaithful lover and a gigolo plotting to rob the father's office.

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Romi and Juli, junior high school friends, are in love with each other. But their parents; Sabar and Komar, are business rivals, and creates obstacles for them. Romi and Juli agree to run away from home and they get lost in a cave. Romi falls ill so Juli has to urgently find medicine. Meanwhile, their parents keep looking for them and finally make peace with each other after their children are found.

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Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

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The story of two sisters, one evil, one good. The evil sister will go to any lengths to inherit the family wealth

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A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

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Set in the era of Dutch colonialism, Landlord Kedawung is devastated by his first wife’s death. But apparently, her death is something that the second wife, Zubaedah, has been waiting for.

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