Sotigui Kouyaté

An intimate portrait of director Peter Brook by his son, Simon Brook.

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Kaya Maghan, the despotic king of Wagadou, follows the instructions of his priest by ordering the religious sacrifice to the Python God of Sia Yatabaree, the virgin daughter of a notable family. A gift of gold equivalent to Sia’s weight is given to her family as compensation for surrendering their daughter for the sacrifice. However, Sia runs away and finds shelter in the home of a mad prophet who has railed against the king. The king orders his top general to locate Sia, but the general is conflicted since Sia was engaged to marry his nephew, Mamadi, who is in battle on behalf of the kingdom. Mamadi returns and joins his uncle to do battle against the Python God. - Wikipedia, accessed 31 July 2021

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Fascinated by the history of his people, Alloune, an old guide at the African museum "La Maison des Esclaves" in Gorée, sets off on a pilgrimage to find the descendants of his ancestors in the United States. This moving journey takes him from the coast of South Carolina to the Harlem neighborhood of Little Senegal, home to the African community. Driven by the idea of reuniting his family across centuries and borders, Alloune traces his roots to a distant cousin, Ida, who knows nothing of his past. The old man also crosses paths with his nephew Hassan, a clandestine cab driver, his fiancée Biram, Eileen, pregnant and a runaway, and Karim, who is seeking a sham marriage to obtain a green card. All four misunderstand Alloune's quest.

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Inspired by the book of Genesis, this film tells the power struggle between two families: a clan of herders led by Jacob and another clan of hunters fronted by his brother Esau. Caught in the crossfire is their cousin, Hamor and his tribe of farmers.

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Lebanese director Randa Chahal Sabbag spins this bleak war drama about the brutal absurdity of the urban warfare of Beirut during the 1980s. Opening with the shocking image of kittens being blown apart, the film loosely follows the travails of Bernadette (Nada Ghosn), a naïve country girl sent to the city as a maid for a mansion long since abandoned by the owners. There she meets Therese (Renee Dick), a veteran house cleaner who takes her under her wing. One day, while accompanying her friend to the cemetery, she meets a rakish Arab militiaman, and the two fall in love.

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It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on the front porch when a stranger - an elderly man carrying his own hammock - appears for an unexpected visit. It turns out that the old man is a griot, a West African musician/entertainer whose performances include tribal histories and genealogies. The position of a griot is a time-honored one and passed down from father to son for many generations.

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Through testimonies by Peter Brook, Jean-Claude Carriere, Jean-Pierre Guigane, and Sotigui Kouyate himself, SOTIGUI KOUYATE: A MODERN GRIOT dresses the portrait of one of Africa's greatest actor now based in Paris. From Africa to Europe, the film unveils the multiple facets of Sotigui Kouyate, actor, musician and modern griot.

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The struggles of a 28-year-old mother in Lyon who tries to combine her love life and raising her 12-year-old rebel son.

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A man. A woman. A single night in Paris. Such is the basic framework of this French romance that begins when middle-aged middle-class housewife Clara, happily drives to the airport to meet her husband who was supposed to come in on the evening flight and is devastated to learn that he has remained at his hotel and is having an affair. Clara sees a younger man eating a sandwich and asks him to have a drink. Later, she and he, an amiable baggage handler, spend the evening talking and exploring the nightlife on the outskirts of Paris. There they meet many people from other countries who come to Paris and work as laborers.

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A Senegalese storyteller travels to Belgium and observes the lives of African expatriates in Europe. Dreams and struggles great and small are explored.

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When Cecile (Sylvie Yameogo), an unwed mother-to-be, refuses to identify the father of her child, she is thrown out of her parents' home and eventually leaves her baby in a field, where another family finds him and takes him home. Michel (Alassane Dakissaga), the head of the household, reluctantly assumes responsibility for the baby after going to the police, the local priest and the traditional village chief, each of whom advises him to seek the counsel of another authority.

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A traveller who has lost his passport in a Paris airport while between flights is restricted to a special transit zone. There he finds a group of similarly lost people hiding out and living from hand-to-mouth, reliant on their ingenuity to survive.

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Duncan MacLeod cannot die -- he is a 400-year-old immortal, who has seen his share of humanity's history. Still, he risks his life in battle against other immortals and tries to save people from harm.

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An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

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Young graffiti artist Tony and his friend Jockey jump-start an unexpected adventure on the streets of Grenoble, France, when they steal a car that's already occupied by an older man who's been sleeping in the back, Léon Marcel.

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An American couple drift toward emptiness in postwar North Africa.

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A dying woman, who stole her best friend's lover, is convinced that a spell has been cast on her, so she orchestrates her former friend's return from a self-imposed exile in Africa in the hopes of breaking the spell.

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The Mahabharata is a 1989 film version of the Indian epic based on the history of India, Mahabharata directed by Peter Brook. Brook's original 1985 stage play was 9 hours long, and toured around the world for four years. In 1989, it was reduced to under 6 hours for television. Later it was also reduced to about 3 hours for theatrical and DVD release. The screenplay was the result of eight years' work by Peter Brook, Jean-Claude Carrière and Marie-Hélène Estienne. For the casting an international selection of actors was intentionally chosen, to show that the nature of the Indian epic is the story of all humanity.

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Jealousy and hatred is what separates the Pandavas and Kauravas. The Kauravas fear the Pandavas are after the throne of their father. Yudhishthira of the Pandavas gets told by the deity, Krishna, that he will become king. A war is inevitable.

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1968: Justin Ohounou is the Minister of the Interior Department. He is involved in scheming with a corrupt business man. His goal is to eliminate by all means his political enemy Christian Adegbe and all of the Adegbe Tribe.

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A Film by Jean Rouch and Tam-Sir Doueb.

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The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across the continent. As a result of the difficulties the team encounters, disorganization gradually takes over the convoy. Each of the members of the group, little by little, yield to their petty, selfish impulses: violence, power, nostalgia - The breakdown of one of the trucks forces Michele and Nadia to wait at an oasis for the arrival of spare parts. But a starving local tribe settles threateningly near them. The chief of the tribe makes a speech they don't understand, which is followed by a macabre purification ceremony.

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The marriage of the famous writer Alan and his young wife Lola is in a crisis. On a vacation in Haiti Lola wants to decide if their relationship still has a future...

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This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.

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Yennenga was a legendary princess and a famous warrior, considered to be the mother of the Mossi people of Burkina Faso who lived between the eleventh and fifteenth centuries. The cut-out paper animation is an adaptation of a tale by Bila Kaboré.

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Young people call into question their village's customs and create an agricultural co-operative.

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Bila, a young peasant, decides to go to Ivory Coast to work and is asked by his parents to accompany Pogbi who is going to meet her fiancé, through an arranged marriage, for the first time. However, Pogbi is in love with Rasmane, a pariah from the smiths' caste, and runs away.

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