Liu Ming

High-schooler Xia Duoduo steals criminals’ contraband and flees to a remote village. With local troublemaker Niu Ge and the villagers, she fights back, exposes the boss, and sets a trap to bring them down.

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A documentary on the history of film studios in Taiwan.

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Two independent stories involving chess wizards are interwoven to satirize the politics of the Chinese Cultural Revolution as well as Taiwan's capitalist boom of the 1970's.

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A story about a school girl with curly hair, during the time of hairstyle restrictions in Taiwan, who learns to appreciate her hair after learning about genetic diversity in biology class.

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An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.

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Arriving in Taiwan in the 1950s, Kuei-mei makes a disadvantageous marriage to a widower with three unruly kids and a bad gambling habit. Beautifully portrayed by celebrated actress Yang, she weathers pregnancies, her husband's infidelity, her daughter's resentment, a stint as servant in Japan, divorce, and illness while struggling to keep the family restaurant business afloat.

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Half-brothers Yan Jun and Yan Qing share a bond of deep respect and affection, yet their mother openly favors Yan Jun. Following a matchmaker's advice, a "joy-bringing" marriage is arranged for sickly Yan Jun. To spare his brother, Yan Qing steps in as the groom. This remarkable film unites two legendary performers of Chinese opera cinema: Ling Po and Yang Li-hua, both are celebrated for their iconic male roles played by women. It also marked Yang Li-hua's final film performance and represents the last traditional Huangmei opera film ever made, closing a significant chapter in Chinese cinema history.

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Early ghost comedy from Cinema City.

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Police Captain Dragon Leg calls on the services of a known felon and playboy, Snake Fist, to help him infiltrate a gang of Mongolian arms dealers led by the Deadly master of the Spider Fist.

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When the Mongolian Salitai raids the Shaolin Temple, the head Buddhist priest of the temple, Won-kak, meets by chance the mute So-sun and the Mongolian Il-gong. They shave their heads and enter the temple. Buddhist priest Won-kak gets the Buddhist soldiers together and tells them to protect to the end the national treasure, the golden Buddhist statue that is at Shaolin temple. The mute So-sun works as the lowest servant at the temple and learns how to fight. One day, evil men come and steal the gold statue. So-sun sees this and tells Buddhist priest Sio but the ringleader of men is none other than the Mongolian informant Il-gong. So-sun ends up on the run due to scheming of Il-gong. After training with the Pungdo-hyub fighting technique, Il-gong turns the Shaolin Temple into the bandits' headquarters. So-sun searches out the 'Hwa-gong Secret Fighting Technique' scriptures and trains under it to defeat the Pungdo-hyub fighting technique.

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Chan is asked by a young, wealthy lady to take her sick brother to a particular doctor in order to be cured. To reach this doctor, Chan and a handful of travelling companions must pass through bandit-infested wild country. They meet and kung-fu-fight several gangs of thugs along the way.

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Kung fu master Ling Chu-Fei (John Liu) must perfect and employ his devastating "Seven Immovable Limbs" technique if he is to defeat a renegade monk who has begun using Shaolin skills for evil. The threat becomes frighteningly personal when the ex-monk focuses his fury upon Master Ling's young orphan disciple, Small Mud Fish. Feet fly, blood spills and bones shatter all the way up to a gripping climactic duel in this 1978 action explosion.

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A brother and sister escape from Japanese-occupied Shanghai to Japanese-occupied Taiwan, to stay with their grandfather who runs a Kung-Fu school there. However, the master of a Japanese Kung- Fu school in Taiwan has plans to bringing all other schools on the island under his domination, and part of his plan involves the murder of the grandfather.

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Chia Ling plays the title character, who wields her way through a standard martial arts premise, but demonstrates tremendous grace and agility as she chops, kicks, and flies through the air.

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Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

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Wang Chieh is a young man who's in love with a girl, Yang Wan-ru. However, Yang tells her friend, Tang Hwa, that she's fond of another boy, Kang Ping. Tang Hwa host a party at her place and announces to everyone there that she's engaged to Kang Ping. Yang is heartbroken and later agrees to marry Wang if he's able to pay for her mother's medical bills. He fulfilled his promise and they end up marrying each other. Years later, Wang gets himself into trouble with drugs and goes to jail. Yang returns to her hometown and finds out that Tang Hwa is married but not to Kang Ping. Yang starts an affair with Kang but realizes that he's just a womanizer. Yang returns home and wait for her husband to be released from prison.

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Before the Beijing Asian Games in 1990, a group of elementary school kids compete for the chance to participate in a martial arts performance for the opening ceremony. In this coming-of-age story, kind-hearted An Jianjun pursues his dreams through sweat and tears, friendship and betrayal. The comedy depicts Beijing locals in precise, humorous, and loving detail.

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