Eduardo Benain

Tito is a shy 10-year-old boy who lives with his mother. Suddenly, an unusual epidemic starts to spread, making people sick whenever they get scared. Tito quickly discovers that the cure is somehow related to his missing father’s research on bird song. He embarks on a journey to save the world from the epidemic with his friends. Tito’s search for the antidote becomes a quest for his missing father and for his own identity.

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A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

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Leandro is a young man frustrated by his job. His master’s thesis is on the military dictatorship in Brazil. That takes him into a search for recently deceased artist Jairo Mendes’ controversial film The Beheading Game, which was censored by Brazilian censors in 1973.

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Imagine a prison with some ten thousand prisoners, many of them dangerous and, to control them, only a few unarmed employees. Small in number, these employees work in shifts. They are almost prisoners themselves, in a routine of tension, but also of humor and emotion. This prison was all too real. While it was in existence, the Carandiru was the largest prison in Latin America, administered by a reduced number of employees. The documentary shows, from the point of view of these few employees, holding the keys, how the prison operated: the delicate balance in the relationship with the prisoners, affinity among employees, moments of tension and, even, of happiness. These are stories told by former employees, among them, Dr. Dráuzio Varella, author of the book Estação Carandiru. These are the secrets of a place that no longer exists.

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Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

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